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FAT TIME

AND OTHER STORIES

A potentially transformative exhibition of visionary storytelling.

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A collection of wildly inventive and intensely realized stories provide electrifying jolts to the very notion of “Black Experience.”

Allen is both a poet and novelist whose prose reverberates with colorful imagery and crystalline lyricism. In his new story collection, he shows greater assurance with plotting and characterization, which only bolsters his agile imagination. In a few pages at a time, Allen can endow even the ghosts of dead children, as in “Four Girls,” with vibrant, combustible, and poignant personalities. In similar fashion, he can persuasively envision real-life personages from the recent past, as in “Heads,” which has rock god Jimi Hendrix hanging out with British painter Francis Bacon somewhere around the disquieting hinge of the 1960s and ’70s, each man reaching for his own transcendence through distortions of time and space. And speaking of space: In “Orbits,” Allen reimagines the near conclusion of Muhammad Ali’s boxing career on a planet Earth with émigrés from the moon helping him prepare for his 1980 bout against Larry Holmes. Other prominent Black men include Jack Johnson, the Ali of his era, who’s tearing through Australia (“Fat Time”), and Miles Davis, gloomily huddled in his Manhattan apartment (“Pinocchio”). Not all of Allen’s characters are famous; “Big Ugly Baby” chronicles the yearslong erotic intimacies between two at-risk teen boys, while in “Fornication Camp,” couples gather at an Illinois religious retreat in a villa moved from Italy and reconstructed piece by piece by Abraham Lincoln. The range of subject matter and the ingenuity of the storylines draw readers in, but it’s Allen’s intricately poetic language that keeps them there, as when he describes Hendrix noodling on his guitar and how he “knows how to worry chords into the black shape of time. Knows how to anchor weight on a string and sink a barbed note into the muddy depths below, then bend that string and yank up a struggling catfish.” The whole collection hums and throbs with such startling craft.

A potentially transformative exhibition of visionary storytelling.

Pub Date: June 20, 2023

ISBN: 9781644452394

Page Count: 288

Publisher: Graywolf

Review Posted Online: March 27, 2023

Kirkus Reviews Issue: April 15, 2023

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TWICE

Have tissues ready as you read this. A small package will do.

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A love story about a life of second chances.

In Nassau, in the Bahamas, casino detective Vincent LaPorta grills Alfie Logan, who’d come up a winner three times in a row at the roulette table and walked away with $2 million. “How did you do it?” asks the detective. Alfie calmly denies cheating. You wired all the money to a Gianna Rule, LaPorta says. Why? To explain, Alfie produces a composition book with the words “For the Boss, to Be Read Upon My Death” written on the cover. Read this for answers, Alfie suggests, calling it a love story. His mother had passed along to him a strange trait: He can say “Twice!” and go back to a specific time and place to have a do-over. But it only works once for any particular moment, and then he must live with the new consequences. He can only do this for himself and can’t prevent anyone from dying. Alfie regularly uses his power—failing to impress a girl the first time, he finds out more about her, goes back in time, and presto! She likes him. The premise is of course not credible—LaPorta doesn’t buy it either—but it’s intriguing. Most people would probably love to go back and unsay something. The story’s focus is on Alfie’s love for Gianna and whether it’s requited, unrequited, or both. In any case, he’s obsessed with her. He’s a good man, though, an intelligent person with ordinary human failings and a solid moral compass. Albom writes in a warm, easy style that transports the reader to a world of second chances and what-ifs, where spirituality lies close to the surface but never intrudes on the story. Though a cynic will call it sappy, anyone who is sick to their core from the daily news will enjoy this escape from reality.

Have tissues ready as you read this. A small package will do.

Pub Date: Oct. 7, 2025

ISBN: 9780062406682

Page Count: 320

Publisher: Harper/HarperCollins

Review Posted Online: July 18, 2025

Kirkus Reviews Issue: Aug. 15, 2025

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WRECK

A heartbreaking, laugh-provoking, and absolutely Ephron-esque look at the beauty and fragility of everyday life.

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A woman faces a health crisis and obsesses over a local accident in this wonderful follow-up to Sandwich (2024).

Newman begins her latest with a quote from Nora Ephron: “Death is a sniper. It strikes people you love, people you like, people you know—it’s everywhere. You could be next. But then you turn out not to be. But then again, you could be.” It sets an appropriate tone for a story that is just as full of death and dread as it is laughter. Two years after the events of Sandwich, Rocky is back home in Western Massachusetts and happily surrounded by family—her daughter, Willa, lives with her and her husband, Nick, while applying to Ph.D. programs; her widowed father, Mort, has moved into the in-law apartment behind their house. When a young man who graduated from high school with Rocky’s son, Jamie, is hit by a train, Rocky finds herself spiraling as she thinks about how close the tragedy came to her own family. She’s also freaking out about a mysterious rash her dermatologist can’t explain. Both instances are tailor-made for internet research and stalking. As Rocky obsessively googles her symptoms and finds only bad news (“Here’s what’s true about the Internet: very infrequently do people log on with their good news. Gosh, they don’t write, I had this weird rash on my forearm? And it turned out to be completely nothing!”), she also compulsively checks the Facebook page of the accident victim’s mother. Newman excels at showing how sorrow and joy coexist in everyday life. She masterfully balances a modern exploration of grief with truly laugh-out-loud lines (one passage about the absurdity of collecting a stool sample and delivering it to the doctor stands out). As Rocky deals with the byzantine frustrations of the medical system, she also has to learn, once more, how to see her children, husband, father, and herself as fully flawed and lovable humans.

A heartbreaking, laugh-provoking, and absolutely Ephron-esque look at the beauty and fragility of everyday life.

Pub Date: Oct. 28, 2025

ISBN: 9780063453913

Page Count: 224

Publisher: Harper/HarperCollins

Review Posted Online: July 17, 2025

Kirkus Reviews Issue: Aug. 15, 2025

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