The man now considered America's greatest movie star is chronicled seriously and fully, but not always movingly or with new critical insight. Unsurprisingly for a work by a veteran literary biographer (Robert Frost, 1996, etc.), Bogart radiates an erudition uncommon to film bios. It skillfully interweaves quotes from disparate sources (Umberto Eco, Michael Curtiz, and Groucho Marx within six paragraphs), and makes a logical link between Bogart and his tough-guy contemporary Ernest Hemingway; the book's opening pages are devoted to detailing the parallels between the two men. Meyers's respectful approach fits his subject, whom he presents as intellectually restless, morally upright, politically aware, and courageous in facing the esophageal cancer that killed him. As befits the genre, there are plenty of anecdotes, though some, like the Bogart-Bacall meeting on To Have and Have Not and George Raft's rejection of the lead role in The Maltese Falcon, are familiar. Meyers's look at Bogart's relationship with John Huston provides insight into how both worked, and the stormy marriage to Mayo Methot is played out in nice detail. Bacall comes off a bit tarnished here: She loved Bogart but was extravagant, infatuated with Adlai Stevenson, and had an affair with Sinatra at the end of Bogart's life. Most amusing are the author's throwaway lines (``Huston had always wanted to direct a movie from horseback. . . .'') and his list of Bogart's films, which are divided into four categories: Best, Important, Good, and Poor. In addition, there is ample film analysis (``Casablanca transcends its absurdities''), but little revelatory to readers familiar with the usual critical suspects. Still, the book succeeds at conveying Bogart's enduring strength as a star, a figure who, 40 years after his death, remains culturally and aesthetically alive. A refreshingly serious film biography that movie lovers will appreciate for approaching Bogart as a subject, not a celebrity. (49 b&w photos, not seen)
Pub Date: April 18, 1997
ISBN: 0-395-77399-7
Page Count: 367
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1997
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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