A major biography, then, of a minor figure.
A well-considered life of the phenomenally successful but little esteemed English writer.
Pity poor W. Somerset Maugham, whose friends called him “Willie”: he complained that his manicured Riviera villa and yacht were poor places to write, “out of touch with the stream of life, with people, with happenings of import.” When he entered into that stream, he sometimes got himself into deep trouble, but also turned up material for stories that approached literature—Of Human Bondage, The Razor’s Edge. Having achieved success early on with books that critics dismissed as potboilers, Maugham found himself outside the best literary circles; he lived to be a ripe 92, but “he developed no coterie and was sustained by no reliable faction,” and was indeed most unpopular. Literary and film biographer Meyers (Inherited Risk, 2002, etc.) enumerates the reasons for Maugham’s poor standing: he had a “chilling character,” lived abroad to avoid paying British taxes, was openly homosexual, and “enjoyed writing and composed with great facility in an age when highly admired authors, like Joyce and Kafka, tortured themselves with creative agony.” The last reason seems a little unlikely; like Stephen King and the National Book Award, after all, Maugham got his honors and his moolah too, a million dollars for the play Rain and its subsequent adaptations alone. But it finds echoes in critical assessments of the time, which accused Maugham of emotional tone-deafness and general hackishness. Meyers turns in a respectful account of Maugham, delivering a few nicely turned surprises that touch on, for instance, Maugham’s service as a spy in the South Seas and early Bolshevik Russia. All that doesn’t make the writer any more likable (as Meyers quotes C.P. Snow as observing, visiting Maugham was “rather like visiting one’s family lawyer”), but such moments at least make him seem more interesting.
A major biography, then, of a minor figure.Pub Date: Feb. 20, 2004
ISBN: 0-375-41475-4
Page Count: 416
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2003
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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