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MURDERERS IN MAUSOLEUMS

RIDING THE BACK ROADS OF EMPIRE BETWEEN MOSCOW AND BEIJING

Tayler ventures at points into Colin Thubron and Robert Kaplan territory, returning with a satisfying narrative that is of...

A closely observed memoir of travels through Central Asia, where portents of continent-wide conflict loom.

Atlantic Monthly correspondent Tayler (River of No Reprieve: Descending Siberia’s Waterway of Exile, Death, and Destiny, 2006, etc.) locates at least one emergent cause for strife in the geopolitical reality of an exponentially growing China, which faces huge shortcomings in the form of pollution, joblessness, a lack of drinking water, degradation of farmland and energy shortages, but has a tremendous surplus of people. Russia has a comparative advantage, with per capita income many times higher than China’s and plenty of natural resources, but with a rapidly declining population. Likely this demographic context will result in changes of various kinds, perhaps including Chinese expansion into Russia and other Central Asian lands—and, if nothing else, in more deals for resource exchange between the two major powers that will have the appearance to some of an “anti-American alliance.” And why not, asks Tayler, who visits the future front and returns with countless character sketches to enliven an already interesting big-picture narrative. A Cossack ataman contemplating an Asian future, for instance, fervently insists that “it takes four generations for white genes to be reestablished after mixing blood, you know.” A Dagestani promises that a billion Chinese will die if they try to invade his homeland, and layabout Chinese youngsters in the unlikely desert metropolis of Ürümqi suggest that the rising generation may not be up to the task. Yet, as Tayler notes, ten years ago Ürümqi was “under construction and chaotic, all skyscrapers going up and cement dust coming down,” while today it is just one of many teeming, highly productive cities in a nation whose fortunes seem ever on the rise.

Tayler ventures at points into Colin Thubron and Robert Kaplan territory, returning with a satisfying narrative that is of considerable interest to students of contemporary events, and futurists too.

Pub Date: Jan. 27, 2009

ISBN: 978-0-618-79991-6

Page Count: 320

Publisher: Houghton Mifflin Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2008

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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