A pleasing frolic on dangerous ground, this debut from Belle features a ditzy NYU coed's yearlong misadventures as a novice hooker, spiraling downward while she imagines herself on the road to better things. Abandoned by her professor daddy so that he can make a life with his new wife, shunned by a thieving roommate for her lack of enthusiasm over his spoils, Bennington Bloom is lovely but homeless as her 19th birthday nears. On a whim, she contacts an escort service and is hired on the spot, beginning her hands-on education as a working girl. Busy enough to take her mind off her troubles, she buys expensive treats while trying to save enough for tuition, but when the owner of the service becomes paranoid and dumps her, Bennington turns to a brothel. Having to juggle her clients at Blanche's, acting classes, more roommate problems, and ongoing parental neglect, she seeks counseling, but because her therapist is 80 and partly deaf, the two can't communicate. Bennington barely escapes from a raid at Blanche's, then leaves when management wants to tax her earnings. An encounter with a painter friend (who has filled an East Village church with images of her, as a saint, as Mary Magdalen, even as one of the wise men) takes her to Martha's Vineyard for much needed R&R; she meets the hunk Adam on a whale- watching cruise and before long has moved into his Manhattan apartment. Telling him she does catering, Bennington goes back to work, but in time her man learns her true calling and dumps her, too. She searches the city for love, wandering the streets in a paralyzing snowstorm, until she finds new hope on a nearly abandoned subway platform. Though finely detailed, and appealing in its madcap manner, this flurried portrait of city hustles and heartbreaks offers only a limited, eviscerated view of the perils of a life on the make.
Pub Date: July 1, 1996
ISBN: 1-57322-554-1
Page Count: 256
Publisher: Riverhead
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1996
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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