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PIG KAHUNA

From the Pig Kahuna series

Surfer pigs rise above aphorisms. The world is full of treasures. Concern for a friend trumps personal fears. Sometimes little brothers know best. Imagination is everything. Any of these might be the message behind this offbeat adventure, but none quite captures its goofy charm. Fergus and his baby brother Dink are anthropomorphized pigs—pink, plump and extremely expressive. They enjoy searching the beach, where they find interesting seaweed, oddly shaped rocks and bits of shell. Then they discover something extraordinary: a gleaming surfboard. Fergus is reluctant to ride it (he’s afraid of the water and what “lurking, murky ickiness” might be hiding in it) but they manage to have fun anyway, tap-dancing across it, using it as a pretend boat and even giving it a name—“Dave.” In a scene sure to give some parents fits, Fergus leaves Dink by the water’s edge to fetch some ice-cream cones. That’s when Dink decides that Dave should be returned to the ocean. Attempting to rescue his friend, Fergus discovers just how fun surfing can be. Sattler’s bold, bright paintings add emotion and humor. They also carry some parts of the narrative, as in an almost wordless double-page spread that accompanies Dave’s first appearance. The briskly paced text, meanwhile, offers alliteration and deadpan humor. Together words and pictures create an utterly engaging picture-book experience—eye-catching, thought-provoking and just plain fun. (Picture book. 4-7)

Pub Date: May 1, 2011

ISBN: 978-1-59990-635-5

Page Count: 32

Publisher: Bloomsbury

Review Posted Online: April 3, 2011

Kirkus Reviews Issue: April 1, 2011

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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THE WONKY DONKEY

Hee haw.

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The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 28, 2018

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