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THE MAGIC CIRCLE

A suspenseful cautionary tale: Don’t play games with strangers.

Role-playing games take over New York City’s Morningside Park with calamitous consequences in Davidson’s (Invisible Things, 2010, etc.) latest novel.

Lucy, a poet and MFA graduate student, shares an apartment with Ruth, a postdoc in game theory and design. Their Swedish neighbor, Anna, has garnered a Fulbright scholarship to study the urban culture of outdoor gaming. Yet each woman harbors a secret weakness. Lucy’s tenuous, almost ghostly connection to life and Ruth’s eating disorder, however, pale in comparison to Anna’s past as a neglected child consigned to a psychiatric hospital. Both Lucy and Anna assist Ruth in constructing her latest game, Trapped in the Asylum, which uses contemporary technologies (GPS, smartphones) to recreate an 1890s community for the insane. Anna is soon inspired to develop her own, darker game that imagines evil forces impinging on the city itself. Players must—weirdly and erotically—reinforce the magical protective wards first set into the gardens and buildings designed by Olmstead and architectural giants McKim, Mead and White. The arrival of Anna’s charismatic brother, Anders, catalyzes a dangerous game, indeed. Based upon The Bacchae—Euripides’ unsettling dramatization of the tensions between the rational and the irrational, between reason and passion—this game employs live-action role playing. Casting Ruth as the logical Pentheus, Anna as the irrational Dionysus, the game is replete with maenads and enforcers recruited and mobilized via Gchats, text messages and blog posts. As the players take their roles more and more seriously, the game becomes disturbingly unpredictable. Despite some stilted dialogue, Davidson deftly orchestrates a startling collision between the classical and the contemporary, reality and play.

A suspenseful cautionary tale: Don’t play games with strangers.

Pub Date: March 26, 2013

ISBN: 978-0-544-02809-8

Page Count: 208

Publisher: Amazon/New Harvest

Review Posted Online: Feb. 9, 2013

Kirkus Reviews Issue: March 1, 2013

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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