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HOW THE DINOSAUR GOT TO THE MUSEUM

An excellent complement to any dinosaur-book collection, this enriches and extends that interest.

This cumulative narrative follows the journey of a set of dinosaur bones belonging to a Diplodocus longus that lived 145 million years ago to its present home in the display halls of the Smithsonian National Museum of Natural History in Washington, DC.

A companion to How the Sphinx Got to the Museum (2010), it similarly describes the work of many hands involved, here starting with the dinosaur hunter who discovered the bones and the paleontologist who went to Utah to identify them and culminating with the museum director who opened the exhibit. What’s special is the reminder of the wide range of tasks involved. The excavators, movers, preparators, curator, night watchman, welders, riggers, exhibits team and cleaner all have their parts. Hartland emphasizes this with her House-That-Jack-Built text, in which each job title has a special capital-letter font, color and background ("CLEANERS" is shown on a scrubbing-brush background, for instance). Her verbs are interestingly varied, as are the many things these people do. The text is printed on double-page illustrations, painted in a childlike manner but detailed enough to show all the people and activities. Backmatter includes a bit of dinosaur information and more about the actual discovery and the display at the museum, including some suggested websites.

An excellent complement to any dinosaur-book collection, this enriches and extends that interest. (Informational picture book. 6-10)

Pub Date: Nov. 1, 2011

ISBN: 978-1-60905-090-0

Page Count: 40

Publisher: Blue Apple

Review Posted Online: Sept. 13, 2011

Kirkus Reviews Issue: Oct. 1, 2011

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THE SECRET SUBWAY

Absolutely wonderful in every way.

A long-forgotten chapter in New York City history is brilliantly illuminated.

In mid-19th-century New York, horses and horse-drawn vehicles were the only means of transportation, and the din created by wheels as they rumbled on the cobblestones was deafening. The congestion at intersections threatened the lives of drivers and pedestrians alike. Many solutions were bandied about, but nothing was ever done. Enter Alfred Ely Beach, an admirer of “newfangled notions.” Working in secret, he created an underground train powered by an enormous fan in a pneumatic tube. He built a tunnel lined with brick and concrete and a sumptuously decorated waiting room for passenger comfort. It brought a curious public rushing to use it and became a great though short-lived success, ending when the corrupt politician Boss Tweed used his influence to kill the whole project. Here is science, history, suspense, secrecy, and skulduggery in action. Corey’s narrative is brisk, chatty, and highly descriptive, vividly presenting all the salient facts and making the events accessible and fascinating to modern readers. The incredibly inventive multimedia illustrations match the text perfectly and add detail, dimension, and pizazz. Located on the inside of the book jacket is a step-by-step guide to the creative process behind these remarkable illustrations.

Absolutely wonderful in every way. (author’s note, bibliography, Web resources) (Informational picture book. 6-10)

Pub Date: March 8, 2016

ISBN: 978-0-375-87071-2

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: Dec. 21, 2015

Kirkus Reviews Issue: Jan. 1, 2016

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FLIP-O-STORIC

Sturdy split pages allow readers to create their own inventive combinations from among a handful of prehistoric critters. Hard on the heels of Flip-O-Saurus (2010) drops this companion gallery, printed on durable boards and offering opportunities to mix and match body thirds of eight prehistoric mammals, plus a fish and a bird, to create such portmanteau creatures as a “Gas-Lo-Therium,” or a “Mega-Tor-Don.” The “Mam-Nyc-Nia” places the head of a mammoth next to the wings and torso of an Icaronycteris (prehistoric bat) and the hind legs of a Macrauchenia (a llamalike creature with a short trunk), to amusing effect. Drehsen adds first-person captions on the versos, which will also mix and match to produce chuckles: “Do you like my nose? It’s actually a short trunk…” “I may remind you of an ostrich, because my wings aren’t built for flying…” “My tail looks like a dolphin’s.” With but ten layers to flip, young paleontologists will run through most of the permutations in just a few minutes, but Ball’s precisely detailed ink-and-watercolor portraits of each animal formally posed against plain cream colored backdrops may provide a slightly more enduring draw. A silhouette key on the front pastedown includes a pronunciation guide and indicates scale. Overall, a pleasing complement to more substantive treatments. (Novelty nonfiction. 6-8)

Pub Date: May 1, 2011

ISBN: 978-0-7892-1099-9

Page Count: 22

Publisher: Abbeville Kids

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: April 1, 2011

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