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THE DAY OF CREATION

With unabashed echoes of all the great "river novels," from Huckleberry Finn to Heart of Darkness to The African Queen, Ballard (The Crystal World, Crash, Empire of the Sun) offers here a poetic, stately, oddly half-involving tale—part escape/chase adventure, part symbolic soul-journey. The narrator-seeker is British doctor Mallory, in charge of the WHO clinic at Port-la-Nouvelle in an unnamed nation "in the dead heart of the African continent," bordering on Chad and the Sudan. The area has been depopulated by the spreading Sahara desert, by civil war between government forces (vile) and Marxist guerrillas (worse). So, virtually without patients, Mallory has focused instead on a local engineering project, seemingly doomed: digging wells for irrigation. Obsessed, he refuses to leave Port-la-Nouvelle—despite a near-fatal encounter with the guerrillas, despite the obnoxious arrival of pathetic Prof. Sanger, a has-been purveyor of pop-science who's desperate to generate some sort of media-event for a TV documentary. And Mallory's mania escalates when, for unclear reasons (earthquake? wayward engineering?), a brand-new river appears precisely where Mallory has been digging! Mallory reacts to this quasi-miracle with wild ambivalence. He believes the river is his creation; he's soon referring to it as "the Mallory." Yet he now determines to destroy it—to follow it north to its source, to dam it up so that it irrigates the Sahara. (Or "was my attempt to scotch the river nothing more than the last installment of that suicide by easy payments on which I had embarked by first choosing to work at Port-la-Nouvelle?") Teaming up with 12-year-old Noon, a sometime girl-guerrilla, Mallory steals a ferry and sails upriver—chased via helicopter by reptilian Capt. Kagwa, whose beloved Mercedes limo (totem of his power-grabbing dreams) is on the ferry. Also in pursuit: feverish Prof. Sanger and his equally frail Indian sidekick; wildlife activist Nora Warrender, out to avenge the guerrillas' murder of her husband; plus, of course, the guerrillas themselves. And the ensuing action—boat collisions, copter attacks, exploding dams—is textured with Mallory's sporadic self-analysis. . .and with his increasingly erotic attachment to Noon, who seems to embody the traumatized spirit of native populations. Mallory's inner turmoil, with constant mood-shifts and philosophical flip-flops, is often more tiresome than compelling—and never connected to a credible psycho-portrait. The novel's mixture of tones—satiric, symbolic, derring-do-ish—doesn't quite ignite. Still, if rather murky in overall thrust, chapter by chapter this is rich, strange work from a distinctive storyteller: elegantly phrased, vividly imagined, and rescued from portentousness by a deeply ironic tilt.

Pub Date: April 1, 1988

ISBN: 0312421281

Page Count: -

Publisher: Farrar, Straus and Giroux

Review Posted Online: Sept. 16, 2011

Kirkus Reviews Issue: March 15, 1988

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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