by Jiannina Camillo illustrated by Roberto Valdimare ‧ RELEASE DATE: March 11, 2014
Overboard pet love dampens the quirkiness of this otherwise amusing memoir.
Camillo, in her debut memoir, recalls competing with an adopted stray dog for her husband’s affection.
When Camillo’s son Adrian brought home a dirty, injured little white dog he’d found in a box, she thought the best thing for the animal was to be put down. Indeed, when they took her to the vet, they discovered she had an infection, broken bones that had healed badly and backed-up intestines. However, they decided to give the dog a chance, and she slowly began to improve. By then, almost everyone in the family was taken with the dog, whom they named Judy, adding her to their home menagerie that already included four cats and two turtles. Camillo, who describes herself as “perched on the top rung of the ladder” of importance in her family, found herself getting edged out of that position by Judy, at least in the eyes of her husband, Sandro, who formed an unusually close bond with the dog. He referred to Judy as his “girlfriend” and called her “my love” and “gorgeous”; eventually, even Camillo referred to the two of them as “the couple.” She tried to comprehend these events while dealing with a demanding acting career, her own chronic migraines, and the medical complications of both Judy, whose injuries never fully healed, and Sandro, whose multiple heart attacks weren’t helped by his smoking and drinking. Throughout, Camillo’s wry, self-deprecating humor maintains a light tone, but even the most amenable readers will be exasperated at times, as when, for instance, Sandro told his first granddaughter, “[I]t’s Judy who’s the love of my life…remember that. You come second-best though.” Readers may wonder why Camillo seemed accepting of a situation with which she was dissatisfied: “I have to be open-minded otherwise, in no time, I’ll find myself kicked out of the castle, won’t I?” The story takes place in Rome, and Camillo’s descriptions of the Italian landscape and the quirks of her family, friends and neighbors help develop a strong sense of place. Still, the story’s focus is her rather bizarre home situation, and the many allusions to Sandro’s amorous relationship with Judy will likely hit a saturation point with all but the most ardent of animal lovers.
Overboard pet love dampens the quirkiness of this otherwise amusing memoir.Pub Date: March 11, 2014
ISBN: 978-1495450877
Page Count: 214
Publisher: CreateSpace
Review Posted Online: Sept. 16, 2014
Review Program: Kirkus Indie
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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