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SPRINKLE GLITTER ON MY GRAVE

OBSERVATIONS, RANTS, AND OTHER UPLIFTING THOUGHTS ABOUT LIFE

Snarky, unconventional humor that pokes fun at just about everything.

One woman’s quirky perspective on life.

The creator of Bravo’s Odd Mom Out, Kargman (Sometimes I Feel Like a Nut: Essays and Observations, 2011, etc.) dishes out a variety of essays that poke fun at herself, her family, friends, and the world in general. Short, acerbic, and sometimes laugh-out-loud funny, the narratives come from her experiences as a teen, a wife, a mother, and from observations of the world around her. In “Orlandon’t,” she covers the multiple reasons not to take your child to Disney World: the color scheme, the endless lines, the expensive and tacky merchandise, etc. She writes about things that irk her—children in leopard leggings, identical twins who are dressed alike, tapas bars, “people in the audience at the Oscars who clap harder for some dead people than other dead people”—but also offers sweeter pieces such as her celebration of her mother’s words of wisdom. Her humor is often laced with expletives and slang terms, adding a hipster attitude that’s not really needed to achieve the level of humor she’s striving to reach. If you want to know how she and her family got coveted plots in a cemetery on Nantucket, read “Dying to Get In.” Curious to know who she’s had a lifelong crush on? “You’re the One that I Want.” Ever wonder what a stripper class is like? Kargman attended one and lets you know what she thinks. Everything is fair game as the author babbles about the difficulty of getting her son into kindergarten in New York, why her family resembles the Munsters, being a Jewish child and attending summer camp in Maine, questions she poses to the universe, her love of Thanksgiving, or euphemisms she’s invented. The collection is an odd mix best read in short spurts. Prepare to laugh, but then move on, as this fluff is not very filling.

Snarky, unconventional humor that pokes fun at just about everything.

Pub Date: Sept. 6, 2016

ISBN: 978-0-399-59457-1

Page Count: 224

Publisher: Ballantine

Review Posted Online: May 30, 2016

Kirkus Reviews Issue: June 15, 2016

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Awards & Accolades

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  • Kirkus Reviews'
    Best Books Of 2015


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  • IndieBound Bestseller


  • National Book Award Winner


  • Pulitzer Prize Finalist

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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