The World's Toughest Book Critics ℠
 
Cover art for THE WHITES OF THEIR EYES
Rate this book:
Loved it
Liked it
Meh...
Don't bother
Kirkus Star

THE WHITES OF THEIR EYES

The Tea Party's Revolution and the Battle Over American History
Lepore (American History/Harvard Univ.;New York Burning: Liberty, Slavery, and Conspiracy in Eighteenth-Century Manhattan, 2005, etc.) explores the nexus of the American Revolution, the understanding and telling of history and today's Tea Party. Read full review
Buy this book from
Buy this book from Amazon
Buy this book from Barnes and Noble
Buy this book from IndieBound
Save for later:
Add to my list
MORE BY JILL LEPORE
Cover art for THE NAME OF WAR
by Jill Lepore
Cover art for A IS FOR AMERICAN
by Jill Lepore
 
Similar books suggested by our critics:
Cover art for MAD AS HELL
by Dominic Sandbrook
Cover art for THE UPRISING
by David Sirota
Cover art for AMERICAN TEMPEST
by Harlow Giles Unger
Cover art for THE WHITES OF THEIR EYES
by Paul Lockhart
Cover art for HERDING DONKEYS
by Ari Berman
Cover art for A JOURNEY
by Tony Blair
Cover art for MY NUCLEAR FAMILY
by Christopher Brownfield
Cover art for CULTURES OF WAR
by John W. Dower
Cover art for POISONING THE PRESS
by Mark Feldstein
Cover art for CASTLES MADE OF SAND
by André Gerolymatos
 
Cover art for HERDING DONKEYS
by Ari Berman
Cover art for MAKING OUR DEMOCRACY WORK
by Stephen Breyer
Cover art for MY NUCLEAR FAMILY
by Christopher Brownfield
Cover art for CULTURES OF WAR
by John W. Dower
Cover art for POISONING THE PRESS
by Mark Feldstein
Cover art for CASTLES MADE OF SAND
by André Gerolymatos
 
THE WHITES OF THEIR EYES (reviewed on September 1, 2010)

Lepore (American History/Harvard Univ.;New York Burning: Liberty, Slavery, and Conspiracy in Eighteenth-Century Manhattan, 2005, etc.) explores the nexus of the American Revolution, the understanding and telling of history and today’s Tea Party.

For a number of years, the author has been contributing pieces to the New Yorker on American colonial history, pithy commentaries shaped by historical evidence and a storyteller’s hand. Here she braids those essays together, which makes them more satisfying and meaningful than if they were merely collected in an anthology. Lepore mixes in thoughts on the historian’s craft, and in particular the misuse of history by the Tea Party, that two-year-old gathering of anti-tax, anti-Obama and, as Lepore shows, anti-history folks. The author is not smug in her treatment of the Tea Partiers, but she refuses to allow them to kidnap and torture history so that it is reduced to fit their fundamentalist mold—fundamentalist in the sense of conflating originalism (that the intent of the framers is fixed and knowable), evangelism and heritage tourism, and uninterested in the historical evidence of the American Revolution, that “messy, sprawling, decades-long affair.” They treat the past as prologue, but it is a fictive past, writes the author, “reductive, unitary and, finally, dangerously anti-pluralist”—for example, the attempt to draw a parallel between the health-care law and the Intolerable Acts. For Lepore, history—“which is controversial, contentious and contested…picky, demanding, and vital”—is hard enough to grasp without willed ignorance.

Learned, lively and shrewd.


Pub Date: Oct. 12th, 2010
ISBN: 978-0-691-15027-7
Page count: 248pp
Publisher: Princeton Univ.
Review Posted Online: Aug. 9th, 2010
Kirkus Reviews Issue: Sept. 1st, 2010