A cross between a naturalist's diary of backyard observations and a guide to identifying water birds, for newcomers or for pint-sized veterans of duck-feeding at the local pond. Arnosky (Rabbits & Raindrops, 1997, etc.) collects a random assortment of typical water fowl, based on personal sightings, and accompanied by sketches, notes, and full-color, actual-size portraits of a few favorites. Useful identification tips highlight dissimilarities between loons and grebes, geese and ducks, male and female of each species. One exception is the omission of visual references to egrets in their comparison with herons. Arnosky's distinctions include differences in flight characteristics, coloring and markings, and habitat selection, which sharpen the focus to an untrained eye. Birds are depicted in flight or underwater as well as coming in for a landing or gliding on water. A splash of facts inserted in side panels show such things as the mallard's habit of ``tipping up'' or where the female's wings are tucked when not in flight. In an easy conversational style, Arnosky explains just how a seagull spots the sparkling broadsides of fleeing fish underwater. Remarking on his own drawings, the author encourages readers to copy his illustrations in addition to sketching birds outdoors, taking this bird lesson a step beyond mere identification. (Picture book/nonfiction. 5-10)
Pub Date: Oct. 1, 1997
ISBN: 0-7922-7073-8
Page Count: 32
Publisher: National Geographic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1997
The wriggly narrator of Diary of a Worm (2003) puts in occasional appearances, but it’s his arachnid buddy who takes center stage here, with terse, tongue-in-cheek comments on his likes (his close friend Fly, Charlotte’s Web), his dislikes (vacuums, people with big feet), nervous encounters with a huge Daddy Longlegs, his extended family—which includes a Grandpa more than willing to share hard-won wisdom (The secret to a long, happy life: “Never fall asleep in a shoe.”)—and mishaps both at spider school and on the human playground. Bliss endows his garden-dwellers with faces and the odd hat or other accessory, and creates cozy webs or burrows colorfully decorated with corks, scraps, plastic toys and other human detritus. Spider closes with the notion that we could all get along, “just like me and Fly,” if we but got to know one another. Once again, brilliantly hilarious. (Picture book. 6-8)
Pub Date: Aug. 1, 2005
ISBN: 0-06-000153-4
Page Count: 40
Publisher: Joanna Cotler/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2005
Hee haw.
The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
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