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SUPER

A pipe dream of a world in which mere mortals can’t imagine any higher honor than dying aboard the Super Chief.

Everyone’s dying to take the Super Chief in TV newsman Lehrer’s 20th novel, which, like his 19th (Oh, Johnny, 2009), is a valentine to the days when life and death seemed simpler, even if the people who lived and died weren’t.

Most Hollywood stars have long since abandoned the railroads by April 1956. But Clark Gable, who hasn’t flown on a civilian aircraft since his wife, Carole Lombard, was killed in a plane crash in 1941, still takes the Super Chief from Chicago to Los Angeles. The King’s routine is so pat that porters who know him can schedule his dinner, his drinks and his assignations with star-struck fans with barely a syllable from him. Gable isn’t the only celebrity on the Super Chief; ex-President Harry S. Truman will board in Kansas City, setting up a memorable non-conversation between the two aging lions. But the real drama revolves around three less distinguished citizens. Hollywood producer Darwin Rinehart is already a has-been at 40. Wheelchair-bound cancer patient Otto Wheeler, a longtime regular aboard the Super Chief, is taking his very last trip to his home town of Bethel, Kan. And Dale L. Lawrence has negotiated privately with a redcap for a sleeper off the company books and a chance to speak to the former President on a matter of life or death. Before the train pulls into Los Angeles, two passengers will be dead by violence, another will be suspected as an imposter and passenger agent Charlie Sanders will find himself cast in the role of accidental detective. This isn’t Murder on the Orient Express, or North by Northwest, which gets prophetically brainstormed in the course of the journey; the plot complications flicker away with the miles. Instead it’s a humane, often gently humorous evocation of an era Lehrer obviously loves and mourns.

A pipe dream of a world in which mere mortals can’t imagine any higher honor than dying aboard the Super Chief.

Pub Date: April 27, 2010

ISBN: 978-1-4000-6763-3

Page Count: 224

Publisher: Random House

Review Posted Online: March 1, 2011

Kirkus Reviews Issue: Jan. 1, 2010

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WE WERE THE LUCKY ONES

Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.

Hunter’s debut novel tracks the experiences of her family members during the Holocaust.

Sol and Nechuma Kurc, wealthy, cultured Jews in Radom, Poland, are successful shop owners; they and their grown children live a comfortable lifestyle. But that lifestyle is no protection against the onslaught of the Holocaust, which eventually scatters the members of the Kurc family among several continents. Genek, the oldest son, is exiled with his wife to a Siberian gulag. Halina, youngest of all the children, works to protect her family alongside her resistance-fighter husband. Addy, middle child, a composer and engineer before the war breaks out, leaves Europe on one of the last passenger ships, ending up thousands of miles away. Then, too, there are Mila and Felicia, Jakob and Bella, each with their own share of struggles—pain endured, horrors witnessed. Hunter conducted extensive research after learning that her grandfather (Addy in the book) survived the Holocaust. The research shows: her novel is thorough and precise in its details. It’s less precise in its language, however, which frequently relies on cliché. “You’ll get only one shot at this,” Halina thinks, enacting a plan to save her husband. “Don’t botch it.” Later, Genek, confronting a routine bit of paperwork, must decide whether or not to hide his Jewishness. “That form is a deal breaker,” he tells himself. “It’s life and death.” And: “They are low, it seems, on good fortune. And something tells him they’ll need it.” Worse than these stale phrases, though, are the moments when Hunter’s writing is entirely inadequate for the subject matter at hand. Genek, describing the gulag, calls the nearest town “a total shitscape.” This is a low point for Hunter’s writing; elsewhere in the novel, it’s stronger. Still, the characters remain flat and unknowable, while the novel itself is predictable. At this point, more than half a century’s worth of fiction and film has been inspired by the Holocaust—a weighty and imposing tradition. Hunter, it seems, hasn’t been able to break free from her dependence on it.

Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.

Pub Date: Feb. 14, 2017

ISBN: 978-0-399-56308-9

Page Count: 416

Publisher: Viking

Review Posted Online: Nov. 21, 2016

Kirkus Reviews Issue: Dec. 1, 2016

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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