A must-read for fans and scholars of classic rock.
A posthumous "autobiography" of the rock god constructed from interviews, diaries, song lyrics, letters and other texts.
Documentary filmmaker Neal, assisted by Alan Douglas, one of Hendrix's friends and associates, approached this project as a movie editor splicing together the disparate materials Hendrix left behind that spoke about his life, career and music. The basic outlines of the artist’s life come through: He was born in Seattle in 1942 of African-American and Cherokee heritage. His mother died when he was 10. Shy and eccentric even as a child, Hendrix’s difference and rebellious nature made for an awkward fit in school, and he dropped out at 16. After a brush with the law, he joined the U.S. 101st Airborne but was discharged early owing to an accident, the effects of which he played up, he claimed, since he'd had enough of the Army. His self-education in the blues as a guitarist in bands in the South and New York City led to a steady gig with Little Richard, but the flamboyant bandleader chafed at Hendrix's style, which threatened to outshine him on the stage. Never interested in stark borders or hard definitions, while living in Harlem, Hendrix was attracted to the folk scene in Greenwich Village, particularly to an off-key singing poet named Bob Dylan. With two dimes in his pocket, he accepted an invitation to try his luck in the blues and rock cauldron of London. The rest is fairly well-known history, though readers interested in the small details of Hendrix's life will want to supplement this book with an objective biography. The virtue of this book is its revelation of the restless, curious, creative, self-contradictory mind of a musical genius as he grappled with fame, fellow musicians, inspiration, doubt and life under the competing spotlights of adulation and criticism.
A must-read for fans and scholars of classic rock.Pub Date: Oct. 29, 2013
ISBN: 978-1-62040-331-0
Page Count: 256
Publisher: Bloomsbury
Review Posted Online: Sept. 15, 2013
Kirkus Reviews Issue: Oct. 1, 2013
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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BOOK TO SCREEN
BOOK TO SCREEN
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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