A delicate, atmospheric ghost story with satisfying layers of insight and substance.
In a decaying English country cottage, the past bleeds hauntingly into the present after a fragile young woman’s arrival activates echoes of grief and loss.
Subtle and suggestive, Baker’s (The Mermaid’s Child, 2014, etc.) version of gothic delivers its ghostliness in the incidental details: ripples in the atmosphere, voices, scents, movements at the corner of an eye. The setting is an underpopulated village where Rachel, a young mother, has gone to clear out her parents’ retirement home, called Reading Room Cottage. Losing her mother to cancer, at the same time she was having her own first child, has left Rachel unstable and her relationship with her partner, Mark, intermittently strained. Now alone for a couple of weeks, having left Mark and the baby behind, she finds herself sucked into an increasingly disturbing vortex of moods linked to the dwelling and its old bookcase. In alternating chapters another voice is heard—that of housemaid Lizzy, who shared the overcrowded cottage with her family and a politically minded lodger, Mr. Moore, in the mid-19th century. Through her interactions with Moore, Lizzy glimpses a different kind of existence—a world of books, intimacy, and possibility—beyond her constricted, work-dominated life. This 2008 novel by Baker, now being published for the first time in the U.S., combines several of her trademark themes: the lives of women, the past, and—particularly reminiscent of her bestselling Longbourn (2013)—the endlessly exhausting labor of the working class. Best of all, it showcases her gift for observation and fresh angle of approach. Though undoubtedly a ghost story, and at times a spooky read, the book offers acceptance and heartfelt compassion in its twin female portraits.
A delicate, atmospheric ghost story with satisfying layers of insight and substance.Pub Date: July 7, 2015
ISBN: 978-0-8041-7265-3
Page Count: 368
Publisher: Vintage
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
With an aura of both enchantment and authenticity, Bardugo’s compulsively readable novel leaves a portal ajar for equally...
Yale’s secret societies hide a supernatural secret in this fantasy/murder mystery/school story.
Most Yale students get admitted through some combination of impressive academics, athletics, extracurriculars, family connections, and donations, or perhaps bribing the right coach. Not Galaxy “Alex” Stern. The protagonist of Bardugo’s (King of Scars, 2019, etc.) first novel for adults, a high school dropout and low-level drug dealer, Alex got in because she can see dead people. A Yale dean who's a member of Lethe, one of the college’s famously mysterious secret societies, offers Alex a free ride if she will use her spook-spotting abilities to help Lethe with its mission: overseeing the other secret societies’ occult rituals. In Bardugo’s universe, the “Ancient Eight” secret societies (Lethe is the eponymous Ninth House) are not just old boys’ breeding grounds for the CIA, CEOs, Supreme Court justices, and so on, as they are in ours; they’re wielders of actual magic. Skull and Bones performs prognostications by borrowing patients from the local hospital, cutting them open, and examining their entrails. St. Elmo’s specializes in weather magic, useful for commodities traders; Aurelian, in unbreakable contracts; Manuscript goes in for glamours, or “illusions and lies,” helpful to politicians and movie stars alike. And all these rituals attract ghosts. It’s Alex’s job to keep the supernatural forces from embarrassing the magical elite by releasing chaos into the community (all while trying desperately to keep her grades up). “Dealing with ghosts was like riding the subway: Do not make eye contact. Do not smile. Do not engage. Otherwise, you never know what might follow you home.” A townie’s murder sets in motion a taut plot full of drug deals, drunken assaults, corruption, and cover-ups. Loyalties stretch and snap. Under it all runs the deep, dark river of ambition and anxiety that at once powers and undermines the Yale experience. Alex may have more reason than most to feel like an imposter, but anyone who’s spent time around the golden children of the Ivy League will likely recognize her self-doubt.
With an aura of both enchantment and authenticity, Bardugo’s compulsively readable novel leaves a portal ajar for equally dazzling sequels.Pub Date: Oct. 1, 2019
ISBN: 978-1-250-31307-2
Page Count: 448
Publisher: Flatiron Books
Review Posted Online: June 30, 2019
Kirkus Reviews Issue: July 15, 2019
A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.
Book 2 of Hearne's latest fantasy trilogy, The Seven Kennings (A Plague of Giants, 2017), set in a multiracial world thrust into turmoil by an invasion of peculiar giants.
In this world, most races have their own particular magical endowment, or “kenning,” though there are downsides to trying to gain the magic (an excellent chance of being killed instead) and using it (rapid aging and death). Most recently discovered is the sixth kenning, whose beneficiaries can talk to and command animals. The story canters along, although with multiple first-person narrators, it's confusing at times. Some characters are familiar, others are new, most of them with their own problems to solve, all somehow caught up in the grand design. To escape her overbearing father and the unreasoning violence his kind represents, fire-giant Olet Kanek leads her followers into the far north, hoping to found a new city where the races and kennings can peacefully coexist. Joining Olet are young Abhinava Khose, discoverer of the sixth kenning, and, later, Koesha Gansu (kenning: air), captain of an all-female crew shipwrecked by deep-sea monsters. Elsewhere, Hanima, who commands hive insects, struggles to free her city from the iron grip of wealthy, callous merchant monarchists. Other threads focus on the Bone Giants, relentless invaders seeking the still-unknown seventh kenning, whose confidence that this can defeat the other six is deeply disturbing. Under Hearne's light touch, these elements mesh perfectly, presenting an inventive, eye-filling panorama; satisfying (and, where appropriate, well-resolved) plotlines; and tensions between the races and their kennings to supply much of the drama.
A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.Pub Date: Feb. 4, 2020
ISBN: 978-0-345-54857-3
Page Count: 592
Publisher: Del Rey/Ballantine
Review Posted Online: Nov. 24, 2019
Kirkus Reviews Issue: Dec. 15, 2019
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