bookshelf

PARIS IN THE SPRING WITH PICASSO

Name: PARIS IN THE SPRING WITH PICASSO
Author: Joan Yolleck
ISBN: 978-0-375-83756-2

by Joan Yolleck and illustrated by Marjorie Priceman ‧ RELEASE DATE: March 23, 2010

bookshelf

Yolleck’s admiration for a group of early-20th-century artists and friends spurred her to imagine a typical soirée hosted by Gertrude Stein. A prowling black cat purrs to readers, “On any day of the week, if you cross Paris’s Luxembourg Garden going west, you will come to a cobbled street called rue de Fleurus.” Readers are given a glimpse into each guest’s day leading up to the evening’s party. Guillaume Appollinaire crafts a new poem inspired by a street acrobat, Max Jacob works out a poem based on a dream and Pablo Picasso continues with his all-night creation of a painting of two women (“Two Nudes”). Priceman’s sweeping gouache-and-ink paintings brilliantly evoke the atmosphere of a bohemian city and imbue each scene with a sense of magic and movement. The courteous cat’s narration, punctuated with the occasional French phrase, suits the gently surreal mood. But the lengthy story itself, featuring as it does historical characters of whom the audience will know little (thumbnail bios at the beginning will provide some context), seems too ephemeral to make much lasting impression. Undeniably well done, this book will have trouble finding the right readers. (Picture book. 7-9)

Pub Date: March 23, 2010

ISBN: 978-0-375-83756-2

Page Count: 40

Publisher: Paraclete Press

Review Posted Online: March 1, 2011

Kirkus Reviews Issue: Feb. 15, 2010

Categories:

CHILDREN'S GENERAL CHILDREN'S

bookshelf

RIVER STORY

by Meredith Hooper & illustrated by Bee Willey ‧ RELEASE DATE: June 1, 2000

bookshelf

Trickling, bubbling, swirling, rushing, a river flows down from its mountain beginnings, past peaceful country and bustling city on its way to the sea. Hooper (The Drop in My Drink, 1998, etc.) artfully evokes the water’s changing character as it transforms from “milky-cold / rattling-bold” to a wide, slow “sliding past mudflats / looping through marshes” to the end of its journey. Willey, best known for illustrating Geraldine McCaughrean’s spectacular folk-tale collections, contributes finely detailed scenes crafted in shimmering, intricate blues and greens, capturing mountain’s chill, the bucolic serenity of passing pastures, and a sense of mystery in the water’s shadowy depths. Though Hooper refers to “the cans and cartons / and bits of old wood” being swept along, there’s no direct conservation agenda here (for that, see Debby Atwell’s River, 1999), just appreciation for the river’s beauty and being. (Picture book/nonfiction. 7-9)

Pub Date: June 1, 2000

ISBN: 0-7636-0792-4

Page Count: 32

Publisher: Candlewick

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2000

Categories:

CHILDREN'S GENERAL CHILDREN'S

- BOOK REVIEW
CELEBRITY CAT
by Meredith Hooper & illustrated by Bee Willey

- BOOK REVIEW
GOLD QUEST
by Meredith Hooper & illustrated by Stephen Biesty

- BOOK REVIEW
STEPHEN BIESTY’S CASTLES
by Meredith Hooper & illustrated by Stephen Biesty

bookshelf

BOOKMARKS ARE PEOPLE TOO!

From the Here's Hank series , Vol. 1

by Henry Winkler ; Lin Oliver ; illustrated by Scott Garrett ‧ RELEASE DATE: Feb. 14, 2014

An uncomplicated opener, with some funny bits and a clear but not heavy agenda.

bookshelf

Hank Zipzer, poster boy for dyslexic middle graders everywhere, stars in a new prequel series highlighting second-grade trials and triumphs.

Hank’s hopes of playing Aqua Fly, a comic-book character, in the upcoming class play founder when, despite plenty of coaching and preparation, he freezes up during tryouts. He is not particularly comforted when his sympathetic teacher adds a nonspeaking role as a bookmark to the play just for him. Following the pattern laid down in his previous appearances as an older child, he gets plenty of help and support from understanding friends (including Ashley Wong, a new apartment-house neighbor). He even manages to turn lemons into lemonade with a quick bit of improv when Nick “the Tick” McKelty, the sneering classmate who took his preferred role, blanks on his lines during the performance. As the aforementioned bully not only chokes in the clutch and gets a demeaning nickname, but is fat, boastful and eats like a pig, the authors’ sensitivity is rather one-sided. Still, Hank has a winning way of bouncing back from adversity, and like the frequent black-and-white line-and-wash drawings, the typeface is designed with easy legibility in mind.

An uncomplicated opener, with some funny bits and a clear but not heavy agenda. (Fiction. 7-9)