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DEEP VIOLENCE

MILITARY VIOLENCE, WAR PLAY, AND THE SOCIAL LIFE OF WEAPONS

A thoughtful but sometimes overly academic consideration of why thousands of people are, or should be, marching in the...

A dense treatise on the evil that men do to one another in the name of war.

Although she is certainly an idealistic thinker, Bourke (History/Birkbeck Coll., Univ. of London; The Story of Pain, 2014, etc.) gets to some dark places. Her output has included scholarly examinations of murder, fear, rape and pain. Here, she turns her unflinching gaze on the militarization of society. The book was originally titled Wounding the World, which is in some ways more accurate since it is as much about the mindsets of victims as it is about those who fight. Bourke examines the nature of military violence through a variety of lenses, including economics, language, law, big business and the very nature of our humanity. After a clear introduction, she examines the language we use to describe warfare, and this may be one of the most complex sections for a general audience. “These four ways of talking about violence—aestheticizing it, converting it into an abstract formula, ignoring pertinent aspects and giving weapons agency—overlap….But converting violence against others into something attractive, abstract or absent makes it easier to bear,” writes the author. The next section examines the psychology of violence, both on the parts of the (mostly) men who perpetrate it, from the drone pilot in Nevada who feels “like God hurling thunderbolts from afar,” to those wounded inside and out. In a somewhat dated section, Bourke examines the “fetishization of authenticity” in games and other media, essentially positing portrayals of military violence as pornography; refreshingly, however, she rarely blames the creators, instead focusing on motive and audience. The most challenging section may be the summary, which posits that protests and other societal interventions could bring an end to war, a proposal some readers may find too modest to be realistic.

A thoughtful but sometimes overly academic consideration of why thousands of people are, or should be, marching in the streets.

Pub Date: March 17, 2015

ISBN: 978-1-61902-463-2

Page Count: 320

Publisher: Counterpoint

Review Posted Online: Dec. 12, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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