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EVERY WAKING HOUR

A solid but formulaic procedural that should satisfy the heroine’s fans but may frustrate newcomers.

A child’s disappearance triggers dark memories for a Boston cop.

Ellery Hathaway’s idyllic day with her lover, Reed Markham, and his young daughter, Tula, at Boston Common turns horribly wrong when 12-year-old Chloe Lockhart, another Common visitor, goes missing. Ellery, a Boston police detective, and Reed, an FBI Special Agent, take on the investigation. It’s a red flag when Chloe’s father, Martin, calls his attorney, Stephen Wintour, into a meeting at the police station. Chloe’s well-paid nanny, Margery, who was supposed to be watching the girl, is the first to fall under scrutiny. Then Chloe’s mother, Teresa, drops a bombshell: Several years ago, while she was married to her first husband, her son was kidnapped and killed. Ellery and her partner, Dorie, begin their probe with Margery’s husband, Frank, who has a criminal record, then move to Chloe’s parents. Meanwhile, Reed uses his considerable resources to get to work profiling. An anonymous tipster claims that Martin’s having an affair with his employee Amanda McFarland. The story follows a traditional template as the sleuths question Chloe’s friends, scour her room for clues, delve into her online activity, and follow every obscure lead that promises to lead them to yet another. Schaffhausen’s prose is similarly measured and deliberate. Shadowing the investigation is Ellery’s painful past, which is doled out in tidbits.

A solid but formulaic procedural that should satisfy the heroine’s fans but may frustrate newcomers.

Pub Date: Jan. 26, 2021

ISBN: 978-1-2502-4965-4

Page Count: 336

Publisher: Minotaur

Review Posted Online: Oct. 26, 2020

Kirkus Reviews Issue: Nov. 15, 2020

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A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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CAMINO GHOSTS

Fine Grisham storytelling that his fans will enjoy.

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A descendant of enslaved people fights a Florida developer over the future of a small island.

In 1760, the slave ship Venus breaks apart in a storm on its way to Savannah, and only a few survivors, all Africans, find their way safely to a tiny barrier island between Florida and Georgia. For two centuries, only formerly enslaved people and their descendants live there. A curse on white people hangs over the island, and none who ever set foot on it survive. Its last resident was Lovely Jackson, who departed as a teen in 1955. Today—well, in 2020—a developer called Tidal Breeze wants Florida’s permission to “develop” Dark Isle, which sits within bridge-building distance from the well-established Camino Island. The plot is an easy setup for Grisham, big people vs. little people. Lovely’s revered ancestors are buried on Dark Isle, which Hurricane Leo devastated from end to end. Lovely claims the islet’s ownership despite not having formal title, and she wants white folks to leave the place alone. But apparently Florida doesn’t have enough casinos and golf courses to suit some people. Surely developers can buy off that little old Black lady with a half million bucks. No? How about a million? “I wish they’d stop offering money,” Lovely complains. “I ain’t for sale.” Thus a non-jury court trial begins to establish ownership. The story has no legal fireworks, just ordinary maneuvering. The real fun is in the backstory, in the portrayal of the aptly named Lovely, and the skittishness of white people to step on the island as long as the ancient curse remains. Lovely has self-published a history of the island, and a sympathetic white woman named Mercer Mann decides to write a nonfiction account as well. When that book ultimately comes out, reviewers for Kirkus (and others) “raved on and on.” Don’t expect stunning twists, though early on Dark Isle gives four white guys a stark message. The tension ends with the judge’s verdict, but the remaining 30 pages bring the story to a satisfying conclusion.

Fine Grisham storytelling that his fans will enjoy.

Pub Date: May 28, 2024

ISBN: 9780385545990

Page Count: 304

Publisher: Doubleday

Review Posted Online: March 23, 2024

Kirkus Reviews Issue: April 15, 2024

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