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SAILING IN A SPOONFUL OF WATER

A MAN, A FAMILY, AND A VINTAGE WOODEN BOAT

Sweet but ultimately vapid days spent with novelist Coomer (Beachcombing for a Shipwrecked God, 1995, etc.) aboard his wooden motorsailer. Coomer and his wife and children summer in Eliot, Maine, hard by the Piscataqua River estuary. Why not, he figured, buy a boat? Perusing the boating magazines, he found a nifty old wooden vessel for sale, ``twenty-eight feet from plumb bow to plumb transom,'' broad and comfy and with a door for the loo. The boat was christened Yonder, a nod to Coomer's proclaimed (though unsubstantiated) wanderlust, and what follow are recountings of little nautical ventures poking about the Maine coast, its islands and rivers and shoreside curiosities. It is all very lighthearted: On his maiden cruise, Coomer screws up and humiliatingly has to be rescued after his engine fails; he and cronies boat and kill a bluefish in a flawed, mock-heroic event. He interminably dissects the hours spent aboard with his extended family; pays an unhappy visit to Yonder's original boatyard; catalogs the small pleasures of boat life, like when he would ``wake up every morning, wipe the dew from the helm and the instruments, have the engine start on the first crank, and set off into an accepting sea.'' Gradually, a note of boastful self-regard slips into the otherwise amiable narrative. At one point Coomer observes that ``one of my novels sold to a big producer in Hollywood,'' and when his wife suggests that the purchase of Yonder might run ``a lot of money,'' Coomer shoots back, ``Heather, we make a lot of money.'' So light, it melts into air, but the episodes of chest- thumping leave a raw, unwanted patch. (b&w photos) (Author tour)

Pub Date: May 1, 1997

ISBN: 0-312-15646-4

Page Count: 256

Publisher: Picador

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 1997

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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