An entertaining spoof of American politics with energetic characters and sharp repartee.
A modern-day man trying to emulate the masked do-gooder of the Old West finds it harder than he expected in Taylor’s raucous adventure.
Taylor’s yarn begins in February 2021, when Joe Smith, laid off from his public relations job at Toyota, decides that what America—and especially his hometown of Lexington, Kentucky—needs is for him to become a new Lone Ranger, dedicated to righting wrongs and quelling strife. He acquires a sidekick in Teresa “Ta-Ta” VanDerveer, an attractive lawyer with money and time to burn; her autistic sister, Margie, has apparent right-wing sympathies, suspecting everyone she meets of stealing the election. The trio patrol Lexington’s streets and Starbucks shops in Ta-Ta’s Mercedes Cabriolet—which is silver, of course—looking for people in distress to help. Unfortunately, the new Lone Ranger’s methods of doing good—mainly handing out $20 bills and Good & Plenty candy—usually fail miserably. His attempt to calm a domestic squabble earns him a crack on the head from the wife’s skillet. After he tries to cheer up a depressed woman, she shoots herself. And his repeated efforts to help a scornful teenage sex worker result in more violence from her pimp. Along the way, the Lone Ranger takes in a satirical vision of American culture, awash in bizarre protests: “If you can love and coexist with dogs, then you should love and coexist with Covid!” exclaims a zealot at a coronavirus-rights march. Adding sardonic commentary on the scene is a magical figure known as Coyote, who often appears in the guise of a goat and performs offensive japes.
Taylor’s rambling picaresque features offbeat characters and gonzo situations, all in service of a sendup of extremism across the political spectrum, which he portrays as a cacophonous mashup of incoherent slogans and conspiracy theories: “They got Trump and Biden secretly together!” shrieks one protester. “To keep Bernie from winning! They want to topple Gamestop! We gotta build an underground Wall to stop Them!” Amid the rants and exclamation points, the Lone Ranger and Ta-Ta are depicted as the last halfhearted believers in hangdog American normalcy: “To make America heal, to bring back jobs, to make America function as a cohesive unit, respectful of the individual and of individual differences” is The Lone Ranger’s summary of his mission. Despite the vehemence of the politics on display, the novella’s mood is relaxed and generous; it’s bemused, rather than outraged, and seemingly convinced that masked adventuring is less important than quiet kindness in the face of misery. Margie turns out to be the story’s true hero; her orneriness evaporates when she comforts a bereaved mother with a heartfelt hug. Taylor’s dialogue sometimes suggests classic screwball comedy with its colorful eccentrics trading snappy banter—with Margie again stealing the show with snarky one-liners (He: “I am The Lone Ranger.” She: “Well then, why can’t you be more alone?”). Readers will root for the masked man as he undertakes his gallant, if seldom effectual, quest.
An entertaining spoof of American politics with energetic characters and sharp repartee.Pub Date: April 7, 2025
ISBN: 9798309579617
Page Count: -
Publisher: Nat 1 Publishing
Review Posted Online: April 4, 2025
Kirkus Reviews Issue: June 1, 2025
Review Program: Kirkus Indie
Hokey plot, good fun.
A business executive becomes an unjustly wanted man.
Walter Nash attends his estranged father Tiberius’ funeral, where Ty’s Army buddy, Shock, rips into him for not being the kind of man the Vietnam vet Ty was. Instead, Nash is the successful head of acquisitions for Sybaritic Investments, where he earns a handsome paycheck that supports his wife, Judith, and his teenage daughter, Maggie. An FBI agent approaches Nash after the funeral and asks him to be a mole in his company, because the feds consider chief executive Rhett Temple “a criminal consorting with some very dangerous people.” It’s “a chance to be a hero,” the agent says, while admitting that Nash’s personal and financial risks are immense. Indeed, readers soon find Temple and a cohort standing over a fresh corpse and wondering what to do with it. Temple is not an especially talented executive, and he frets that his hated father, the chairman of the board, will eventually replace him with Nash. (Father-son relationships are not glorified in this tale.) Temple is cartoonishly rotten. He answers to a mysterious woman in Asia, whom he rightly fears. He kills. He beds various women including Judith, whom he tries to turn against Nash. The story’s dramatic turn follows Maggie’s kidnapping, where Nash is wrongly accused. Believing Nash’s innocence, Shock helps him change completely with intense exercise, bulking up and tattooing his body, and learning how to fight and kill. Eventually he looks nothing like the dweeb who’d once taken up tennis instead of football, much to Ty’s undying disgust. Finding the victim and the kidnappers becomes his sole mission. As a child watching his father hunt, Nash could never have killed a living thing. But with his old life over—now he will kill, and he will take any risks necessary. His transformation is implausible, though at least he’s not green like the Incredible Hulk. Loose ends abound by the end as he ignores a plea to “not get on that damn plane,” so a sequel is a necessity.
Hokey plot, good fun.Pub Date: Nov. 11, 2025
ISBN: 9781538757987
Page Count: 448
Publisher: Grand Central Publishing
Review Posted Online: Aug. 29, 2025
Kirkus Reviews Issue: Oct. 1, 2025
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
