``Ha ha ha, hee hee hee, I'm the Gingerbread Man and you can't catch me!'' taunts the fleet-footed cookie. Across the fields he scurries, challenging and outdistancing all comers until he meets his match in the sly old fox and fulfills every good cookie's destiny: to be eaten. This English folktale still has zip, and its lead player is still infuriating, the kind of guy readers are only too delighted to see devoured (or parodied, as a Stinky Cheese Man). This book is a welcome addition to the burgeoning gingerbread shelf, with Rowe's luxurious acrylic illustrations, saturated with great plains of bold color. The Gingerbread Man's targets are appealing characters in settings that often contain an eccentric touch or two: the mice's piebald house, strange trees, skies that look like a plague of locust are passing through. As for the cookie, he's a faceless little cutout who could be genetically related to Gumby, a ridiculous windbag richly deserving of his fate. (Picture book. 3-6)
Pub Date: May 1, 1996
ISBN: 1-55858-542-7
Page Count: 28
Publisher: NorthSouth
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 15, 1996
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
BOOK REVIEW
BOOK REVIEW
A young boy wonders aloud to a rabbit friend what he will be when he grows up and imagines some outrageous choices. “Puddle stomper,” “bubble gum popper,” “mixing-bowl licker,” “baby-sis soother” are just some of the 24 inspiringly creative vocations Spinelli’s young dreamer envisions in this pithy rhymed account. Aided by Liao’s cleverly integrated full-bleed mixed-media illustrations, which radiate every hue of the rainbow, and dynamic typesetting with words that swoop and dive, the author’s perspective on this adult-inspired question yields some refreshingly child-oriented answers. Given such an irresistible array of options—“So many jobs! / They’re all such fun”—the boy in the end decides, in an exuberant double gatefold, “I’m going to choose… / EVERY ONE!”—a conclusion befitting a generation expected to have more than six careers each. Without parents or peers around to corral this carefree child’s dreams, the possibilities of being whatever one wants appear both limitless and attainable. An inspired take on a timeless question. (Picture book. 3-6)
Pub Date: March 1, 2010
ISBN: 978-0-316-16226-5
Page Count: 32
Publisher: Little, Brown
Review Posted Online: April 14, 2011
Kirkus Reviews Issue: Jan. 1, 2010
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