A pleasing visit with an occasionally—if justifiably—immodest world-changer.
Book chattily narrates its memoir, as "transcribed" by Guyanese-English poet Agard.
From oral storytelling to e-books, Book provides a succinct overview of the past 5,000 years of its development. Referring to itself alternately in the third person and the first, it covers cuneiform, hieroglyphics, and the rise of alphabets, along with tracing the technological advances that took it from clay tablets through papyrus and parchment to paper and through scrolls to the codex. Though Book waxes lyrical about Western innovations ("I was flying on the wings of Gutenberg's movable type"), it takes pains to give credit to the many other cultures of the book, including the Aztecs, the Kashmiri, and the Chinese: "from Cai Lun's mushy mash, presto, paper was born." Packer's witty, black-and-white graphics complement Book's story, offering images that range widely, including botanical drawings of plants used in the making of paper and delicate towers of type. Occasional book-related quotations punctuate Book's account: from Emily Dickinson, Bertolt Brecht, Malorie Blackman, and others. It's a highly idiosyncratic account, and it's not a little twee—Book is not beyond self-aggrandizement—but for all its brevity, it covers a lot of territory accurately and with verve. Book includes a bibliography but not specific direction for readers who'd like to know more about, for instance, rotary presses or bookbinding.
A pleasing visit with an occasionally—if justifiably—immodest world-changer. (Nonfiction. 10 & up)Pub Date: Oct. 2, 2015
ISBN: 978-0-7636-7236-2
Page Count: 144
Publisher: Candlewick
Review Posted Online: July 21, 2015
Kirkus Reviews Issue: Aug. 15, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An impressive sequel.
Boy and fox follow separate paths in postwar rebuilding.
A year after Peter finds refuge with former soldier Vola, he prepares to leave to return to his childhood home. He plans to join the Junior Water Warriors, young people repurposing the machines and structures of war to reclaim reservoirs and rivers poisoned in the conflict, and then to set out on his own to live apart from others. At 13, Peter is competent and self-contained. Vola marvels at the construction of the floor of the cabin he’s built on her land, but the losses he’s sustained have left a mark. He imposes a penance on himself, reimagining the story of rescuing the orphaned kit Pax as one in which he follows his father’s counsel to kill the animal before he could form a connection. He thinks of his heart as having a stone inside it. Pax, meanwhile, has fathered three kits who claim his attention and devotion. Alternating chapters from the fox’s point of view demonstrate Pax’s care for his family—his mate, Bristle; her brother; and the three kits. Pax becomes especially attached to his daughter, who accompanies him on a journey that intersects with Peter’s and allows Peter to not only redeem his past, but imagine a future. This is a deftly nuanced look at the fragility and strength of the human heart. All the human characters read as White. Illustrations not seen.
An impressive sequel. (Fiction. 10-14)Pub Date: Sept. 7, 2021
ISBN: 978-0-06-293034-7
Page Count: 256
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: June 28, 2021
Kirkus Reviews Issue: July 15, 2021
A beautiful conservation story told in a rich setting and peopled with memorable characters.
Unlike the rest of her nature-obsessed family, Louisa wants to be a musician, not a biologist.
But when Louisa’s mother finds out that the Australian government is about to destroy the Tasmanian rainforest camp their family has managed for decades, she insists that Louisa leave Toronto and spend the summer on the strange, small island with her even stranger uncle Ruff. But when Uncle Ruff gives Louisa a copy of her great-grandmother’s journal, Louisa becomes fascinated with her family’s history of secretly protecting endangered species, including the mysterious Tasmanian tiger, widely regarded as extinct. With the help of her new friend and neighbor Colin—a boy who has autism spectrum disorder—Louisa deepens her connection with her family’s land, with history, and with her love of music. Kadarusman masterfully creates a lush, magical world where issues associated with conservation, neurodiversity, and history intersect in surprising and authentic ways. The book’s small cast of characters (principals seem all White) is well drawn and endearing. Crucially, the author acknowledges the original, Indigenous inhabitants of the land as experts, something rarely seen in books about environmental degradation. Louisa’s narratorial voice strikes the right balance of curiosity, timidity, and growing confidence, and her character’s transformation feels both incredibly natural and incredibly rewarding to behold.
A beautiful conservation story told in a rich setting and peopled with memorable characters. (Fiction. 10-14)Pub Date: April 28, 2020
ISBN: 978-1-77278-054-3
Page Count: 192
Publisher: Pajama Press
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
PERSPECTIVES
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