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PARIS AT THE END OF THE WORLD

THE CITY OF LIGHT DURING THE GREAT WAR, 1914-1918

An enjoyable, swift read, and the author’s final solution to Archie’s wartime dilemma makes it as fun as a work of...

Australian transplant and longtime Paris resident Baxter (The Most Beautiful Walk in the World: A Pedestrian in Paris, 2011) has spent years trying to discover what it was that changed his grandfather so much when he returned from World War I.

Grandpa Archie left his young family, rejected his former job and never mentioned the war; he only occasionally said, ça ne fait rien (it makes no difference). Was he injured; did he suffer or commit horrors; did he desert; did he fall in love? During his many years in Paris, the author only found a few facts with the help of a military historian. Within Archie’s story, the author intersperses descriptions of Paris and its artistic occupants during the Great War. For most Parisians, French or not, the war didn’t seem real; it was a show, entertainment for their picnics. Most residents were only concerned with the moment. Despite shortages, the theater muddled on, dinner parties were noted for the clever conversations rather than the cooking, and bombs were mostly ignored. Only the French could make austerity chic. “Far from rejecting pain,” he writes, “[Paris] embraced it, transformed it.” Throughout the narrative, Baxter jumps back and forth to England, where the Australian forces were based before traveling to the front and returned for recovery. The no-nonsense Aussies were quick to start a fight and didn’t take any guff from anyone, even officers, and the botched leadership at the beginning of the war would no doubt have caused a mutiny. This book is as much about searching for Grandpa Archie’s life as it is about Paris and England during the war. In lesser hands, the narrative could have easily become confusing, even boring, but Baxter carries it off with aplomb.

An enjoyable, swift read, and the author’s final solution to Archie’s wartime dilemma makes it as fun as a work of historical fiction.

Pub Date: April 15, 2014

ISBN: 978-0-06-222140-7

Page Count: 400

Publisher: Perennial/HarperCollins

Review Posted Online: Feb. 18, 2014

Kirkus Reviews Issue: March 1, 2014

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Awards & Accolades

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  • Kirkus Reviews'
    Best Books Of 2017


  • New York Times Bestseller


  • IndieBound Bestseller


  • National Book Award Finalist

Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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