Fine Grisham storytelling that his fans will enjoy.
A descendant of enslaved people fights a Florida developer over the future of a small island.
In 1760, the slave ship Venus breaks apart in a storm on its way to Savannah, and only a few survivors, all Africans, find their way safely to a tiny barrier island between Florida and Georgia. For two centuries, only formerly enslaved people and their descendants live there. A curse on white people hangs over the island, and none who ever set foot on it survive. Its last resident was Lovely Jackson, who departed as a teen in 1955. Today—well, in 2020—a developer called Tidal Breeze wants Florida’s permission to “develop” Dark Isle, which sits within bridge-building distance from the well-established Camino Island. The plot is an easy setup for Grisham, big people vs. little people. Lovely’s revered ancestors are buried on Dark Isle, which Hurricane Leo devastated from end to end. Lovely claims the islet’s ownership despite not having formal title, and she wants white folks to leave the place alone. But apparently Florida doesn’t have enough casinos and golf courses to suit some people. Surely developers can buy off that little old Black lady with a half million bucks. No? How about a million? “I wish they’d stop offering money,” Lovely complains. “I ain’t for sale.” Thus a non-jury court trial begins to establish ownership. The story has no legal fireworks, just ordinary maneuvering. The real fun is in the backstory, in the portrayal of the aptly named Lovely, and the skittishness of white people to step on the island as long as the ancient curse remains. Lovely has self-published a history of the island, and a sympathetic white woman named Mercer Mann decides to write a nonfiction account as well. When that book ultimately comes out, reviewers for Kirkus (and others) “raved on and on.” Don’t expect stunning twists, though early on Dark Isle gives four white guys a stark message. The tension ends with the judge’s verdict, but the remaining 30 pages bring the story to a satisfying conclusion.
Fine Grisham storytelling that his fans will enjoy.Pub Date: May 28, 2024
ISBN: 9780385545990
Page Count: 304
Publisher: Doubleday
Review Posted Online: March 23, 2024
Kirkus Reviews Issue: April 15, 2024
SEEN & HEARD
A rather flat entry in a generally excellent series.
The 25th novel featuring Silva’s legendary protagonist.
During his intersecting careers as art restorer and Israeli spy, Gabriel Allon has tangled with Russian gangsters and al-Qaida terrorists. He has become well-acquainted with operatives in multiple security agencies and befriended a paid assassin. He has busted art thieves and created passable forgeries by Renaissance masters and abstract Modernists. This latest installment centers around his relationship with the pope and a newly discovered painting by Leonardo da Vinci that has gone missing from the Vatican. Silva’s novels tend to fall into two categories: books that reflect the politics of the day and books that don’t. His latest is one of the latter, which could be a treat for readers looking for escape, but it falls flat for a variety of reasons. Luxury has always been part of Gabriel Allon’s universe. It used to be an aspect of tradecraft, though. Allon would be wearing a very expensive suit and driving a very expensive car because he was posing as a client at a Swiss bank. Here, his wife is hosting a catered lunch for 150 of their daughter’s classmates in their apartment overlooking the Grand Canal in Venice. What once felt like a scintillating peek into the world of the obscenely wealthy now just feels…kind of obscene. Similarly, Allon goes chasing after a missing painting as a civilian—he retired from Mossad in Portrait of an Unknown Woman (2022)—the same way another man his age might buy a speedboat or get hair plugs. As the story progresses, the stakes are raised, but it’s hard to forget that Allon is now a middle-aged man pursuing a dangerous hobby, rather than a spymaster leading his intrepid team to prevent a disaster that will disrupt the global order.
A rather flat entry in a generally excellent series.Pub Date: July 15, 2025
ISBN: 9780063384217
Page Count: 416
Publisher: Harper/HarperCollins
Review Posted Online: July 17, 2025
Kirkus Reviews Issue: Aug. 15, 2025
Even when King is not at his best, he’s still good.
Two killers are on the loose. Can they be stopped?
In this ambitious mystery, the prolific and popular King tells the story of a serial murderer who pledges, in a note to Buckeye City police, to kill “13 innocents and 1 guilty,” in order, we eventually learn, to avenge the death of a man who was framed and convicted for possession of child pornography and then killed in prison. At the same time, the author weaves in the efforts of another would-be murderer, a member of a violently abortion-opposing church who has been stalking a popular feminist author and women’s rights activist on a publicity tour. To tell these twin tales of murders done and intended, King summons some familiar characters, including private investigator Holly Gibney, whom readers may recall from previous novels. Gibney is enlisted to help Buckeye City police detective Izzy Jaynes try to identify and stop the serial killer, who has been murdering random unlucky citizens with chilling efficiency. She’s also been hired as a bodyguard for author and activist Kate McKay and her young assistant. The author succeeds in grabbing the reader’s interest and holding it throughout this page-turning tale of terror, which reads like a big-screen thriller. The action is well paced, the settings are vividly drawn, and King’s choice to focus on the real and deadly dangers of extremist thought is admirable. But the book is hamstrung by cliched characters, hackneyed dialogue (both spoken and internal), and motives that feel both convoluted and overly simplistic. King shines brightest when he gets to the heart of our darkest fears and desires, but here the dangers seem a bit cerebral. In his warning letter to the police, the serial killer wonders if his cryptic rationale to murder will make sense to others, concluding, “It does to me, and that is enough.” Is it enough? In another writer’s work, it might not be, but in King’s skilled hands, it probably is.
Even when King is not at his best, he’s still good.Pub Date: May 27, 2025
ISBN: 9781668089330
Page Count: 448
Publisher: Scribner
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
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