A tense legal thriller with nary a courtroom scene.
In this sequel to The Firm (1991), star attorney Mitch McDeere tries to rustle up ransom for a kidnapped colleague in Libya.
In The Firm, he barely escaped the clutches of the corrupt law firm Bendini, Lambert & Locke. Now it’s 15 years later and Mitch is living in New York and is a partner at Scully & Pershing, the world’s largest law firm. He’s frustrated that his Alabama and Tennessee death row clients keep getting the needle, except for the latest one who supposedly hanged himself in his cell. He doesn’t want to take any more of these cases, so he agrees to help out on a lawsuit for Luca Sandroni, a Scully partner in Rome who’s dying of pancreatic cancer. The client is Lannak, a major Turkish construction company that's suing the government of Libya for an unpaid debt of $400 million. Please let my daughter, Giovanna, come and help you, Luca asks Mitch. She’s an associate in the firm's London branch. It’s 2005, the time of Muammar Gaddafi, who came up with the harebrained idea of building the “Great Gaddafi Bridge in central Libya, over an unnamed river yet to be found,” Luca says. (It’s true!) Mitch plans to see the bridge, but he comes down with a wicked case of food poisoning, so Giovanna volunteers to go instead. Soon she’s been kidnapped, and her guards and driver are murdered. In Manhattan, a mysterious woman tells Mitch’s wife, Abby, that the price of Giovanna’s return is $100 million, and she will die if anyone involves the government or police. Can Scully & Pershing put their hands on that much dough? And who are they dealing with? Mitch isn’t even certain whether Gaddafi is behind the crime or whether it's some unknown gang. Mitch and Abby come across as sympathetic and credible, while other characters are no deeper than they need to be. The story moves at a fast pace, leaving a trail of bodies in its wake.
A tense legal thriller with nary a courtroom scene.Pub Date: Oct. 17, 2023
ISBN: 9780385548953
Page Count: 368
Publisher: Doubleday
Review Posted Online: Aug. 12, 2023
Kirkus Reviews Issue: Sept. 1, 2023
BOOK REVIEW
BOOK REVIEW
High art meets low life in a tale a lot more sympathetic to the latter.
Someone is stalking the streets of Lt. Eve Dallas’s New York, intent on bringing new life to sex workers by snuffing out their old ones.
In 2061, prostitutes are called licensed companions, and that’s Leesa Culver’s job description when she’s accosted by a plausible-looking artist who wants to hire her as a model for the night. Before the night is over, she’s been drugged, strangled, costumed, and posed as an uncanny replica of Vermeer’s Girl With a Pearl Earring. The shock of the crime is deepened by the murder the following night of licensed companion Bobby Ren, whose body is discovered at an art gallery entrance costumed and posed as Gainsborough’s Blue Boy. The killer clearly has an obsessive agenda, a rapid-fire timetable, and access to unlimited financial resources that have allowed him to commission expensive custom-made outfits for the victims. This last detail both marks his power and points to the way Dallas, her gazillionaire husband, Roarke, and her sidekick, Det. Delia Peabody, will track him down by methodically narrowing the field of consumers who’ve purchased the costly costumes. After identifying the guilty party two-thirds of the way through the story, they’ll still face an uphill battle convicting a killer with no conscience, no respect for the law, and a budget that would easily cover the means to jump bail, remove his ankle tracker, and hire a private jet to escape to a foreign land with no extradition treaty. Robb keeps it all consistently absorbing by sweating every procedural detail along with her heroine. Only Dallas’ climactic interrogation of her prisoner is a letdown, because it’s perfectly obvious how she’s going to wangle a confession out of him.
High art meets low life in a tale a lot more sympathetic to the latter.Pub Date: Sept. 2, 2025
ISBN: 9781250370822
Page Count: 368
Publisher: St. Martin's
Review Posted Online: May 16, 2025
Kirkus Reviews Issue: June 15, 2025
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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