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THE END OF THE TWENTIETH CENTURY

AND THE END OF THE MODERN AGE

A potpourri of pronouncements on latter-day America and Europe from a commentator who's at pains to stress: ``I am a historian, not a prophet.'' Commingling entries from a journal kept during trips to and from the Continent in recent years, Hungarian emigrÇ Lukacs (The Duel, 1991; Confessions of an Original Sinner, 1990, etc.) offers provocative perspectives on the West's past as well as present. To begin with, he asserts that the 20th century lasted but 75 years, from 1914 to 1989 (when the USSR imploded). Moreover, he contends that, the cold war notwithstanding, Communism wasn't the dominant political and social phenomenon of the times—rather, the period's major conflicts were defined by nationalism. While conceding that turning points can be elusive, the author concludes the end of the so-called Modern (as opposed to Ancient or Medieval) Age, which began circa 1500, also may be at hand. Among other factors, he attributes the presumptive transition to the destabilizing emergence of populist demands for tribal power. Meanwhile, Lukacs fears, the admixture of standard-setting aristocracy and representative democracy, which helped advance Western civilization, is in eclipse largely because the authority of contemporary states has waned as their bureaucratic governments have waxed, making them vulnerable to the tyranny of manipulated majorities (or determined minorities). Throughout, he takes an arguably racist line in allusions to the threat posed by Asian immigration and in observations on the importance of White Russians as a bulwark against barbarian hordes. A fin de siäcle appreciation that, for all its idiosyncratic analyses, affords much insight.

Pub Date: Feb. 9, 1993

ISBN: 0-395-58472-8

Page Count: 288

Publisher: Houghton Mifflin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 1992

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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