An Australian import that examines the reverberations a traumatic past has upon the present. Winter is a girl who knows what she wants, and now at 16, she aims to get it. In foster care with diligent but unloving relatives for the past 12 years, she has nagged them and her lawyer into allowing her to return to her family’s cattle ranch. Her goal is not simply to return home—she needs to discover the truth behind her parents’ deaths. When he isn’t writing about hypothetical guerrilla wars, Marsden (The Night Is for Hunting, 2001, etc.) frequently presents stories that conceal a single shocking moment in the past from the reader, and frequently from the protagonist. This offering is one of the latter stripe, and the narrative follows Winter as she not-very-tactfully reasserts her control over her property and begins to plumb her past. Much of the tale reads like teen wish-fulfillment: Winter bullies the adults around her into letting her do what she wants, lives in her own house without supervision and with access to an apparently very large sum of money (which allows her to redecorate at some length), and discovers a handsome and charming boy at the ranch next door. For all that, Winter is an appealingly gutsy narrator who keeps the story moving as she rips up blackberries and insults everyone around her. If the eventual shocker is rather predictable (and therefore not so shocking) and easily discovered, Winter’s own need to learn the truth and ability to assimilate it are well established in the development of her character. Not up to the standard set by the author’s Letters from the Inside (1994), but likely to find a readership nevertheless. (Fiction. YA)
Pub Date: Aug. 1, 2002
ISBN: 0-439-36849-9
Page Count: 160
Publisher: Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2002
A heavy read about the harsh realities of tragedy and their effects on those left behind.
In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.
Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.
A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)Pub Date: Feb. 6, 2024
ISBN: 9781728276229
Page Count: 416
Publisher: Sourcebooks Fire
Review Posted Online: Jan. 5, 2024
Kirkus Reviews Issue: Feb. 1, 2024
BOOK REVIEW
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
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