Veteran author and translator Nathan (Living Carelessly in Tokyo and Elsewhere, 2008, etc.) returns with a historical novel that artfully fuses the immigrant experience of 1910s New York with dark romance and political intrigue.
By most measures, Abraham Cahan is a successful man—he’s the author of seminal works of Jewish immigrant fiction, a leftist political activist, a pillar of the community and an esteemed newspaper editor of the Yiddish-Socialist Forward, for which he writes an indispensable advice column. But a loveless, sterile marriage has left an emotional void in Cahan’s life, one exacerbated by his estrangement from the religious practices of his youth. So when a troubled woman writes the newspaper with a letter claiming familial sexual abuse, accompanied by a titillating photograph, Cahan ingratiates himself into her life with less than the purest motives. Though he vaguely suspects the situation is more than what it seems, he quickly finds himself drawn into a tangled plot with strands that seemingly lead to his professional competitors as well as the far more powerful interests of the Tammany Hall political machine. Before he knows it, Cahan’s reputation and fortunes teeter on the brink of ruin. Nathan’s rich, beautifully descriptive prose advances the story at a relaxed pace while realizing the crowded, variegated world of the Lower East Side in all its overstuffed essence. Nathan expertly characterizes Cahan, a historical figure, as a man tugged in many directions by competing forces: between Jewish shtetl culture and assimilationist modernity, between gradual socialist change and the forceful demands of revolutionaries, and between the need to maintain propriety and the desires of his heart. Although the writing is somewhat halting and stuffy in the early going, Nathan finds his stride just as the passions of his protagonist awaken and bloom. A well-rendered, appealing period piece.
Pub Date: Feb. 25, 2011
ISBN: 978-1456857493
Page Count: 220
Publisher: Xlibris
Review Posted Online: July 29, 2011
Kirkus Reviews Issue: Sept. 1, 2011
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
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