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MARY MCGRORY

THE FIRST QUEEN OF JOURNALISM

Norris is plainly in love with his fascinating subject, which is not only McGrory, but newspaper journalism in general.

Mary McGrory’s life (1918-2004) as a Pulitzer Prize–winning Washington columnist is so interesting that it’s hard to understand why there hasn’t been a book about her until now. Enter Norris (The Disaster Gypsies: Humanitarian Workers in the World's Deadliest Conflicts, 2007, etc.) with this balanced, page-turning biography.

Despite the subtitle, it seems McGrory might have been the last queen as well: in her regal bearing and imperious manner, her influence on politicians and journalists, and her manner of getting others to do her bidding. Early on, it seems a little off-putting that so much is made of her romantic life (or public lack thereof), her attractiveness, and her gender in general. Ultimately, however, being a woman who found her voice and came to power during the McCarthy era is crucial to her journalistic singularity. McGrory may well have been a feminist icon, but she wasn’t above playing the frail female when it worked to her advantage or employing her considerable charms in ways that might undermine journalistic objectivity. She dated the future President John F. Kennedy (once), was propositioned forthrightly by President Lyndon B. Johnson (once), and had a romantic relationship with candidate Eugene McCarthy, whose campaign manager was the true love of her life. She once said, “I would have loved to be a housewife, but it just never happened that way. I want to drop dead in the newsroom.” McGrory reported more aggressively than most columnists and injected more opinion into her pieces than most reporters, making her a curious fit on the news pages of the Washington Star, which she preferred to the op-ed section. When the Star folded, she moved to the Washington Post, where her influence increased but she was never as comfortable. She could be tough, even on her friends, but frequent target Ted Kennedy proclaimed her “poet laureate of American journalism,” and this nuanced portrait provides plenty of evidence.

Norris is plainly in love with his fascinating subject, which is not only McGrory, but newspaper journalism in general.

Pub Date: Sept. 22, 2015

ISBN: 978-0-525-42971-5

Page Count: 352

Publisher: Viking

Review Posted Online: June 14, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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