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HOW TO CHANGE THE WORLD

A credible book to inspire even the most cynical among us.

The latest title in the publisher’s School of Life series aims to be a guide to social and cultural change.

Any guidebook with a title like How to Change the World that is also sized in such a way that it could fit comfortably in a handbag is going to need to make some assumptions about what needs changing and why. Without space to devote to arguing why things should change in certain ways, the remaining text needs to present a “how” that can be adapted for different aims. Journalist Flintoff (Sew Your Own: Man Finds Happiness and Meaning of Life—Making Clothes, 2010, etc.) largely succeeds in that his ideas are divorced from particular ideological goals, for the most part. In general, the author focuses on finding ways to make changes on a personal level—approaches to “being the change you want to see in the world.” The strongest writing comes when Flintoff hews to the fine line between starry-eyed idealism and pragmatic, here’s-the-five-steps-to-take detailing. His chapter on identifying values is especially thoughtful, providing clear direction on discovering the intersections between which values we derive from the culture and which we can find from within. Occasionally, the author veers over the line into dreaminess; much is made of engaging with the community around you, engaging with neighbors, which suggests an openness to engagement that may not be reciprocated on the other side. All too often, this brand of idealism in activism can come across as naïve, but Flintoff’s writing grounds that idealism in the idea that changing “the world” can have multiple meanings, each of them equally important.

A credible book to inspire even the most cynical among us.

Pub Date: May 1, 2013

ISBN: 978-1-250-03067-2

Page Count: 160

Publisher: Picador

Review Posted Online: April 2, 2013

Kirkus Reviews Issue: May 1, 2013

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BRAVE ENOUGH

These platitudes need perspective; better to buy the books they came from.

A lightweight collection of self-help snippets from the bestselling author.

What makes a quote a quote? Does it have to be quoted by someone other than the original author? Apparently not, if we take Strayed’s collection of truisms as an example. The well-known memoirist (Wild), novelist (Torch), and radio-show host (“Dear Sugar”) pulls lines from her previous pages and delivers them one at a time in this small, gift-sized book. No excerpt exceeds one page in length, and some are only one line long. Strayed doesn’t reference the books she’s drawing from, so the quotes stand without context and are strung together without apparent attention to structure or narrative flow. Thus, we move back and forth from first-person tales from the Pacific Crest Trail to conversational tidbits to meditations on grief. Some are astoundingly simple, such as Strayed’s declaration that “Love is the feeling we have for those we care deeply about and hold in high regard.” Others call on the author’s unique observations—people who regret what they haven’t done, she writes, end up “mingy, addled, shrink-wrapped versions” of themselves—and offer a reward for wading through obvious advice like “Trust your gut.” Other quotes sound familiar—not necessarily because you’ve read Strayed’s other work, but likely due to the influence of other authors on her writing. When she writes about blooming into your own authenticity, for instance, one is immediately reminded of Anaïs Nin: "And the day came when the risk to remain tight in a bud was more painful than the risk it took to blossom.” Strayed’s true blossoming happens in her longer works; while this collection might brighten someone’s day—and is sure to sell plenty of copies during the holidays—it’s no substitute for the real thing.

These platitudes need perspective; better to buy the books they came from.

Pub Date: Nov. 1, 2015

ISBN: 978-1-101-946909

Page Count: 160

Publisher: Knopf

Review Posted Online: Aug. 15, 2015

Kirkus Reviews Issue: Sept. 1, 2015

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MASTERY

Readers unfamiliar with the anecdotal material Greene presents may find interesting avenues to pursue, but they should...

Greene (The 33 Strategies of War, 2007, etc.) believes that genius can be learned if we pay attention and reject social conformity.

The author suggests that our emergence as a species with stereoscopic, frontal vision and sophisticated hand-eye coordination gave us an advantage over earlier humans and primates because it allowed us to contemplate a situation and ponder alternatives for action. This, along with the advantages conferred by mirror neurons, which allow us to intuit what others may be thinking, contributed to our ability to learn, pass on inventions to future generations and improve our problem-solving ability. Throughout most of human history, we were hunter-gatherers, and our brains are engineered accordingly. The author has a jaundiced view of our modern technological society, which, he writes, encourages quick, rash judgments. We fail to spend the time needed to develop thorough mastery of a subject. Greene writes that every human is “born unique,” with specific potential that we can develop if we listen to our inner voice. He offers many interesting but tendentious examples to illustrate his theory, including Einstein, Darwin, Mozart and Temple Grandin. In the case of Darwin, Greene ignores the formative intellectual influences that shaped his thought, including the discovery of geological evolution with which he was familiar before his famous voyage. The author uses Grandin's struggle to overcome autistic social handicaps as a model for the necessity for everyone to create a deceptive social mask.

Readers unfamiliar with the anecdotal material Greene presents may find interesting avenues to pursue, but they should beware of the author's quirky, sometimes misleading brush-stroke characterizations.

Pub Date: Nov. 13, 2012

ISBN: 978-0-670-02496-4

Page Count: 320

Publisher: Viking

Review Posted Online: Sept. 12, 2012

Kirkus Reviews Issue: Oct. 1, 2012

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