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OH, BEAUTIFUL

AN AMERICAN FAMILY IN THE 20TH CENTURY

A satisfying, well-crafted reminder of how one family’s story can encapsulate the cultural history of America as a whole.

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Godges presents a vast narrative depicting what it means to be an American, told through the lens of an expressive family story.

Written in four parts, Godges’ first memoir spans his family’s immigrant beginnings to his parents’ assimilation to a family of six kids growing up, growing apart and finally coming back together. The memoir is rich with the cultural history of 20th-century America; the hardships of immigrants, the harrowing times of the Depression and World War II, dealing with mental illness, the tumultuous Vietnam-era social divide and the AIDS epidemic all impact Godges’ family. The author shines a spotlight on each member of the family particularly affected by these events, hanging back until his turn to present a facet of American life deeply meaningful to him—being a gay man in this country. Roman Catholicism also permeates the book, providing a pillar of community for the Italian- and Polish-American family, but also becoming a divisive force between husband and wife and parent and child, causing the family to face questions over divorce and homosexuality. The intricately crafted narrative is written with the specificity of a historian, seamlessly flowing through the decades. Yet the book is also poignant and personal, capturing the intimate, intricate workings of a family with amazing clarity. Godges concludes that “to be an American in the fullest sense of the word meant to discover oneself as an individual within a community.” This ambitious book succeeds in negotiating the balance between individual and community, telling the engrossing story of an individual family within the greater society of America.

A satisfying, well-crafted reminder of how one family’s story can encapsulate the cultural history of America as a whole.

Pub Date: July 4, 2010

ISBN: 978-1451508017

Page Count: 532

Publisher: CreateSpace

Review Posted Online: Aug. 26, 2011

Kirkus Reviews Issue: Sept. 15, 2011

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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