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SOME WOMEN I HAVE KNOWN

A wistful but spotty memoir.

Paying homage to his great uncle, an ex–World Bank professional makes his debut with a memoir featuring the series of women he encountered in his youth.

If imitation is indeed the sincerest form of flattery, then Joost van der Poorten Schwartz (or Maarten Maartens as he was called in publishing circles) scored the jackpot. One hundred years after his death, his grandnephew has crafted a memoir loosely modeled after one of the elder’s books. While the elder Schwartz’s stories focused mostly on “high-society women of the Victorian period,” his grandnephew, a native of Holland, isn’t as picky. Readers are introduced to various women, most of whom—with the rare exception of his grandmother Lady D and actress Audrey Hepburn, a distant family relative—were the objects of the author’s amorous attentions. A steady parade of women—Ann the Beautiful, Tisja the Village Beauty, Irene Femme Fatale, Ingrid the Magnificent Viking, etc.—marches across the pages. Schwartz, who was 9 when World War II ended, captures a slice of upper-crust life with his depictions of elaborate breakfasts at his grandparents’ home in rural Holland, complete with silver breadbaskets. Glimpses of old Europe—including pinewood lodges and ski resorts—are also lovingly rendered. However, with the exception of Irene Femme Fatale, the “some women” of the title are more fuzzily drawn. Primarily painted as love interests, they remain underdeveloped. Readers might see the author as rather one-dimensional as he develops serial crushes on one woman after another, often desperate to bed and/or marry each one. When posted in Burundi, he was taken in by a Tutsi woman and went to extraordinary lengths to give her a new life in France. Notwithstanding the exoticism of Nyira, whom he labels as the Tutsi Queen, readers may wonder about the motivations for his seemingly impulsive actions. The account stops short of detailing how the author eventually met and married his wife—an episode that might have added a different perspective and additional color.

A wistful but spotty memoir.

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: Willow Manor Publishing Inc.

Review Posted Online: Jan. 8, 2015

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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