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NIGHT OF THE AVENGING BLOWFISH

It's a daunting task for a writer to make a title like Night of the Avenging Blowfish make perfect sense, but in his fine second novel John Welter (Begin to Exit Here, 1992) does so with Çlan. Secret Service agent Doyle Coldiron suspects he may be cracking up. Or at least having a nervous breakdown. What he is sure of is that he's lonely, and the only person who could save him, Natelle, a White House secretary, is married. So Doyle spends his time drinking with his fellow agents at their favorite bar, planning a covert baseball game against their arch rivals, the CIA: The time and location are classified (even the players don't know). When Doyle hears about a disgruntled White House chef's plan to serve canned luncheon meat at a formal state dinner, he decides not to take any action, partially because he wants to see how well the plan might work. Doyle could not have foreseen the aftermath, which includes a public reaction manifesting itself in tons of canned luncheon meat being sent to the White House; death threats by animal rights activists; and Doyle's own demotion from protecting the president to protecting a drunken ambassador from an island nation so small it must be penciled in to the map at hand. While all of this irreverent madness is delivered with great wit and humor, Welter retains firm control of the true story in his novel: one man's search for love in the '90s. Doyle's quest for romantic and spiritual love is bittersweet, surprisingly poignant, and, guided by Welter's sure hand, always emotionally true. Sometimes silly and frequently downright strange, this novel is full of insights into modern love that sneak up on the reader amid a lot of pleasantly off-kilter zaniness, making Night of the Avenging Blowfish a fun and satisfying read.

Pub Date: May 1, 1994

ISBN: 1-56512-050-7

Page Count: 313

Publisher: Algonquin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 1994

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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