by Jordan Scott & Jamal Saeed ; illustrated by Zahra Marwan ‧ RELEASE DATE: Sept. 9, 2025
A poignant look at the human cost of wars and forced migration.
An apple tree provides solace when a family must leave their homeland.
The book’s young narrator wants a twin, but Mom points out that the child does have a sibling of sorts—the apple tree that Mom and Dad planted in the yard on the day the youngster was born. The protagonist begins plying the tree with snacks, playing with her, and sharing secrets with her; each night, the little one wraps her in a blanket. When the village is attacked, the family must flee, but the child refuses to leave the tree behind. Digging the tree up, the child carries her through fires and dust and onto a plane as they leave their homeland forever. The protagonist replants the tree, and she thrives in a new environment, though the youngster yearns for home. Feelings of longing permeate this tender story, though it’s also infused with hope as the youngster continues to confide in the tree. Marwan’s soft artwork, rendered in watercolor and pen and ink, leans into the playful kinship between child and tree. Shifting from greens and blues to darker shadows, the palette embodies the sense of loss. Hints in the artwork suggest an Asian or Middle Eastern setting, though no specific region is mentioned. The authors and illustrator share their own migration stories in the backmatter.
A poignant look at the human cost of wars and forced migration. (Picture book. 5-9)Pub Date: Sept. 9, 2025
ISBN: 9780593808412
Page Count: 40
Publisher: Random House Studio
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
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by Daymond John ; illustrated by Nicole Miles ‧ RELEASE DATE: March 21, 2023
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.
How to raise money for a coveted poster: put your friends to work!
John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)Pub Date: March 21, 2023
ISBN: 978-0-593-56727-2
Page Count: 40
Publisher: Random House
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
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by JaNay Brown-Wood ; illustrated by Hazel Mitchell ‧ RELEASE DATE: Oct. 14, 2014
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child...
Imani endures the insults heaped upon her by the other village children, but she never gives up her dreams.
The Masai girl is tiny compared to the other children, but she is full of imagination and perseverance. Luckily, she has a mother who believes in her and tells her stories that will fuel that imagination. Mama tells her about the moon goddess, Olapa, who wins over the sun god. She tells Imani about Anansi, the trickster spider who vanquishes a larger snake. (Troublingly, the fact that Anansi is a West African figure, not of the Masai, goes unaddressed in both text and author’s note.) Inspired, the tiny girl tries to find new ways to achieve her dream: to touch the moon. One day, after crashing to the ground yet again when her leafy wings fail, she is ready to forget her hopes. That night, she witnesses the adumu, the special warriors’ jumping dance. Imani wakes the next morning, determined to jump to the moon. After jumping all day, she reaches the moon, meets Olapa and receives a special present from the goddess, a small moon rock. Now she becomes the storyteller when she relates her adventure to Mama. The watercolor-and-graphite illustrations have been enhanced digitally, and the night scenes of storytelling and fantasy with their glowing stars and moons have a more powerful impact than the daytime scenes, with their blander colors.
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child to be admired. (Picture book. 5-8)Pub Date: Oct. 14, 2014
ISBN: 978-1-934133-57-6
Page Count: 32
Publisher: Mackinac Island Press
Review Posted Online: July 28, 2014
Kirkus Reviews Issue: Aug. 15, 2014
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