by Jose-Luis Orozco & illustrated by Elisa Kleven ‧ RELEASE DATE: Sept. 1, 2002
Orozco (Diez Deditos, 1997, etc.) once again combines his talents as a musician, a songwriter, and an educator to create this collection of songs set into the framework of the year’s festivities, with an emphasis on holidays of Latin American (particularly Mexican) origin. He has chosen songs from various countries throughout the hemisphere, but in some cases he has used well-known melodies and written his own words to suit a particular holiday or commemoration, such as in the song for Cinco de Mayo, a Mexican holiday that is also celebrated by Mexican-American communities in the US. His call-and-response chant honoring Cesar Chavez is another original composition, while a singing game like “Arroz con leche” is from the folk tradition. Each is preceded by a short paragraph offering background on the holiday and the song. Texts are given in Spanish and English, although the English translations are meant for singing and may not be literal translations. There are songs for every month including two religious ones for December. Kleven’s (The Dancing Deer and the Foolish Hunter, p. 48, etc.) paintings with their jewel-like colors and merrily dancing children, adults, and animals mix elements of realism and fantasy. The strongest images come from Mexico, such as the Mexican skeleton musicians for the Day of the Dead, and the posadas procession with its piñatas and paper-cut banners lining the streets. The subject index leads the reader to songs used for clapping, dancing, and group play, as well as those that can be used to bolster self-esteem, or think about friendship. Orozco’s community activism and social beliefs are demonstrated throughout the collection and schools with Latino populations will be very interested in this attractive songbook. All of the songs are available on Orozco’s CDs and tapes from Arcoiris Records, Inc. This will also be useful for teaching young children Spanish and for introducing some of the Latin American holiday traditions. (Nonfiction. 5-10)
Pub Date: Sept. 1, 2002
ISBN: 0-525-45937-5
Page Count: 56
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2002
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by Adam Wallace ; illustrated by Andy Elkerton ‧ RELEASE DATE: Sept. 1, 2017
Only for dedicated fans of the series.
When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.
“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.
Only for dedicated fans of the series. (Picture book. 5-8)Pub Date: Sept. 1, 2017
ISBN: 978-1-4926-4894-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
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by William Miller & illustrated by Rodney Pate ‧ RELEASE DATE: May 1, 2004
One of the watershed moments in African-American history—the defeat of James Braddock at the hands of Joe Louis—is here given an earnest picture-book treatment. Despite his lack of athletic ability, Sammy wants desperately to be a great boxer, like his hero, getting boxing lessons from his friend Ernie in exchange for help with schoolwork. However hard he tries, though, Sammy just can’t box, and his father comforts him, reminding him that he doesn’t need to box: Joe Louis has shown him that he “can be the champion at anything [he] want[s].” The high point of this offering is the big fight itself, everyone crowded around the radio in Mister Jake’s general store, the imagined fight scenes played out in soft-edged sepia frames. The main story, however, is so bent on providing Sammy and the reader with object lessons that all subtlety is lost, as Mister Jake, Sammy’s father, and even Ernie hammer home the message. Both text and oil-on-canvas-paper illustrations go for the obvious angle, making the effort as a whole worthy, but just a little too heavy-handed. (Picture book. 5-8)
Pub Date: May 1, 2004
ISBN: 1-58430-161-9
Page Count: 32
Publisher: Lee & Low Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2004
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