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MY FATHER AND ATTICUS FINCH

A LAWYER'S FIGHT FOR JUSTICE IN 1930S ALABAMA

A poignant and warmly engaging memoir.

A distinguished Atlanta attorney remembers his lawyer father, who defended a black man against charges that he raped a white woman in pre–civil rights era Alabama.

As a young adult, Beck was struck by the similarities between his father and Atticus Finch, the main character of Harper Lee’s classic 1960 novel, To Kill a Mockingbird. Like Finch, Foster Beck was “idealistic [and] reverent about the Constitution.” His clients included sharecroppers and farmers whom he defended against banks and who mostly compensated him in produce rather than “cash money.” Yet Foster was satisfied because he was following his conscience. When a judge called upon him to defend Charles White, a black man accused of interracial sexual assault, Foster accepted. He believed that future clients would view the fact that he had taken a difficult case—which he believed he could win—as proof of his worth as a lawyer. But Foster soon saw just how tough the case would be. Unlike other blacks he had defended, White was intimidating and demanding. Claiming he was innocent, White refused Foster’s efforts to find a solution because he would not compromise with a racist judicial system determined to send him to the electric chair. Foster found evidence that the woman White had allegedly raped was an uninjured virgin. But he still lost the case as well as the appeal that followed. Not long afterward, he lost his struggling practice as well. Beck’s claim that the highly publicized White trial may have influenced the young Harper Lee is as fascinating as it is plausible, especially given the striking similarities he notes between his father and Atticus Finch. Yet it is ultimately the generosity of spirit that infuses Beck’s recollections that is the most moving part of this memorable story.

A poignant and warmly engaging memoir.

Pub Date: June 21, 2016

ISBN: 978-0-393-28582-6

Page Count: 224

Publisher: Norton

Review Posted Online: March 30, 2016

Kirkus Reviews Issue: April 15, 2016

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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  • Pulitzer Prize Finalist

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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