A leisurely paced novel from master stylist Skibell (The English Disease, 2003, etc.), who does a fine job of acquainting...
Dr. Jakob Sammelsohn, an oculist, falls in love with two different women at two different periods in 20th-century history—and along the way prominent figures, most notably Sigmund Freud, get caught up in his relationships.
At first Sammelsohn has the misfortune to become smitten with Emma Eckstein, one of Freud’s most famous patients. While love is always a complicated affair, the complications become more extraordinary when the object of your affection is herself in love with Freud and displaces this relationship onto you. Sammelsohn finds that Emma is more than he can handle when she begins to channel Ita, Sammelsohn’s young wife, who had died by suicide on their wedding night, when her husband was only 12. When Emma is committed to a hospital for symptoms of hysteria, Sammelsohn consults Freud to try to figure out how to deal with her strong desire to consummate the relationship—and, ironically, Freud is technically brilliant in his diagnosis but flustered by the reality of this woman. The narrative then shifts to a lengthy discussion of Dr. Ludovik Leyzer Zamenhof, creator of Esperanto and motivated by the universal language movement to seek peace and harmony. One of his followers is Fräulein Loë Bernfeld, with whom Sammelsohn falls desperately in love. Unlike his relationship with Emma, this relationship is consummated (in a scene that manages to be simultaneously both comic and erotic) and eventually leads to their marriage (destined, alas, not to last). Finally, the narrative shifts to the Warsaw Ghetto in the late 1930s, where Sammelsohn becomes involved in a bizarre scheme with an outré rabbi, but he emerges triumphant, eventually heading to the promised land of Palestine, thanks to the ghostly and angelic visitations of the late Ita.
A leisurely paced novel from master stylist Skibell (The English Disease, 2003, etc.), who does a fine job of acquainting the reader with 20th-century European intellectual culture.Pub Date: Sept. 7, 2010
ISBN: 978-1-56512-929-0
Page Count: 400
Publisher: Algonquin
Review Posted Online: June 2, 2010
Kirkus Reviews Issue: June 15, 2010
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.
Hunter’s debut novel tracks the experiences of her family members during the Holocaust.
Sol and Nechuma Kurc, wealthy, cultured Jews in Radom, Poland, are successful shop owners; they and their grown children live a comfortable lifestyle. But that lifestyle is no protection against the onslaught of the Holocaust, which eventually scatters the members of the Kurc family among several continents. Genek, the oldest son, is exiled with his wife to a Siberian gulag. Halina, youngest of all the children, works to protect her family alongside her resistance-fighter husband. Addy, middle child, a composer and engineer before the war breaks out, leaves Europe on one of the last passenger ships, ending up thousands of miles away. Then, too, there are Mila and Felicia, Jakob and Bella, each with their own share of struggles—pain endured, horrors witnessed. Hunter conducted extensive research after learning that her grandfather (Addy in the book) survived the Holocaust. The research shows: her novel is thorough and precise in its details. It’s less precise in its language, however, which frequently relies on cliché. “You’ll get only one shot at this,” Halina thinks, enacting a plan to save her husband. “Don’t botch it.” Later, Genek, confronting a routine bit of paperwork, must decide whether or not to hide his Jewishness. “That form is a deal breaker,” he tells himself. “It’s life and death.” And: “They are low, it seems, on good fortune. And something tells him they’ll need it.” Worse than these stale phrases, though, are the moments when Hunter’s writing is entirely inadequate for the subject matter at hand. Genek, describing the gulag, calls the nearest town “a total shitscape.” This is a low point for Hunter’s writing; elsewhere in the novel, it’s stronger. Still, the characters remain flat and unknowable, while the novel itself is predictable. At this point, more than half a century’s worth of fiction and film has been inspired by the Holocaust—a weighty and imposing tradition. Hunter, it seems, hasn’t been able to break free from her dependence on it.
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.Pub Date: Feb. 14, 2017
ISBN: 978-0-399-56308-9
Page Count: 416
Publisher: Viking
Review Posted Online: Nov. 21, 2016
Kirkus Reviews Issue: Dec. 1, 2016
BOOK TO SCREEN
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...
An unlikely love story set amid the horrors of a Nazi death camp.
Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.Pub Date: Sept. 4, 2018
ISBN: 978-0-06-279715-5
Page Count: 272
Publisher: Harper/HarperCollins
Review Posted Online: July 16, 2018
Kirkus Reviews Issue: Aug. 1, 2018
BOOK REVIEW
BOOK REVIEW
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