by Joseph Skibell ‧ RELEASE DATE: Oct. 27, 2015
A memoir/essay collection of consistently heartfelt and enlightening morsels of humanity.
Creatively dispatched memories from a noted essayist and fiction writer.
In his first foray into nonfiction, novelist Skibell (A Curable Romantic, 2010, etc.) touches on themes of identity, parental mortality, Judaism, and all of the foibles encountered within a close-knit lineage. The bonds of family figure greatly in these fondly depicted stories. In the resonant title piece, the first musical instrument the author’s father, a family businessman, bought him as a youngster—a Fender guitar—incites a “laughably Freudian” correlation to another guitar his father would later purchase as well as yet another he bought to perpetuate his father’s memory. Elsewhere, the author details his clumsy navigation around female students at college as a self-described “sexual maladroit” who dropped out of graduate school and dated a woman haunted by ghosts, a supernatural concept that he, then 23, mocked and arrogantly debunked with theoretical gibberish. Throughout the collection, Skibell makes plenty of room for humor. Though his family scoffed at his interest in learning the universal language Esperanto, he persevered “like a postman through the snow and the sleet and the gloom of their derision” only to hilariously turn the tables on a telemarketer by requesting they sponsor his classes. Another entry finds the author getting sweet comeuppance on a cousin who posted a negative review of his second novel online. The lengthier essays detail Skibell’s trials through his years struggling as a screenwriter in Hollywood and the histrionic heritage of his father’s cousin Tiger. In the closing essay, the author reflects on the occupational hazards of being a published author and the revelations that can occur after listening to a complete stranger’s tale of woe. Colorful and endearing, the book will appeal to readers who appreciate Augusten Burroughs–style, real-life anecdotal ponderings focused on familial ties and how life’s eternal cycle of enchantment and disillusionment somehow sustains us.
A memoir/essay collection of consistently heartfelt and enlightening morsels of humanity.Pub Date: Oct. 27, 2015
ISBN: 978-1-56512-930-6
Page Count: 224
Publisher: Algonquin
Review Posted Online: Sept. 2, 2015
Kirkus Reviews Issue: Sept. 15, 2015
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PROFILES
by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Ta-Nehisi Coates ; illustrated by Jackie Aher
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SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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