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A.D.

NEW ORLEANS AFTER THE DELUGE

Bristling with attitude and pungent with social awareness.

Graphic artist Neufeld paints an emotive portrait of New Orleans during and after Hurricane Katrina, as seen through the eyes of seven of the city’s citizens.

The opening panels coalesce into a long cinematic pan, a thrumming setup for the disaster. The half-page and quarter-page panels—satellite views of weather patterns and close inspections of neighborhoods—are crisp, and the two-page spreads are softly focused. There are no spoken words for the ominous first 25 pages; gathering winds and lashing waters propel the narrative. Thereafter, the braided story of seven people involved in the events—three tell of their exodus and the after-effects, four ride out the storm and its wake at home—provides an intimate appreciation of their frazzled emotional states in response to varied tribulations. This is a Hydra-headed, daily-mounting experience in political malfeasance—Neufeld explores FEMA’s failures, the menacing presence of the Army and police and the ineptitude of the government—spontaneous social engineering (tough guys distributing looted goods to the people stuck at the Convention Center and maintaining order), alienation of those who evacuated (“I think I could’ve stayed longer. I kinda felt like I wussied out”) and the kindness of strangers. There’s also plenty of misery, from the terror of the storm and the rising waters to the merciless heat and stink in the days after, with little potable water, food or medical supplies. Neufeld’s words and images are commensurable and rhythmic, and the vernacular is sharp.

Bristling with attitude and pungent with social awareness.

Pub Date: Aug. 18, 2009

ISBN: 978-0-307-37814-9

Page Count: 208

Publisher: Pantheon

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: June 1, 2009

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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