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CAN I EAT THAT?

Tempting fare for venturesome children, with a few tidbits for hipster parents who spend more time in restaurants than...

Wordplay and food play combine as an artist and a food critic explore edibles well beyond peanut butter and jelly.

Actually, jelly (or jam) does put in a couple of appearances—notably toward the end, following Stein’s observation that some eggs become chickens and some become breakfast. Before that though, he answers variations on the titular question, such as: “Can I eat… / …a potato? / …a tomato? / …a tornado?!” No, not a tornado, but “tonnato, a sauce from Italy made with tuna,” and likewise “tournedos” and also “tostada.” Interspersed with general foolery (“If there is…ketchup / is there…ketchdown?”), he goes on to solve the mysteries of pickles, eggplant, and chicken fingers, then closes with a rollicking illustrated list of “Can I Eat?” posers: “pineapple / pinecone / telephone / panettone / pony / cannoli,” etc., on the final page. Aside from one scene of human hands of diverse gender and skin color reaching for said pickles, Rothman focuses on edibles and tableware, and though the individual ingredients in the tostada, the jellyfish platter, and the bowl of uni donburi are hard to distinguish, in general her cleanly drawn and colored meats, veggies, and condiments are both easily recognizable and yummy looking.

Tempting fare for venturesome children, with a few tidbits for hipster parents who spend more time in restaurants than kitchens or farmers markets. (Informational picture book. 5-7)

Pub Date: March 28, 2016

ISBN: 978-0-7148-7140-0

Page Count: 40

Publisher: Phaidon

Review Posted Online: March 1, 2016

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SEE PIP POINT

From the Adventures of Otto series

Emergent readers will like the humor in little Pip’s pointed requests, and more engaging adventures for Otto and Pip will be...

In his third beginning reader about Otto the robot, Milgrim (See Otto, 2002, etc.) introduces another new friend for Otto, a little mouse named Pip.

The simple plot involves a large balloon that Otto kindly shares with Pip after the mouse has a rather funny pointing attack. (Pip seems to be in that I-point-and-I-want-it phase common with one-year-olds.) The big purple balloon is large enough to carry Pip up and away over the clouds, until Pip runs into Zee the bee. (“Oops, there goes Pip.”) Otto flies a plane up to rescue Pip (“Hurry, Otto, Hurry”), but they crash (and splash) in front of some hippos with another big balloon, and the story ends as it begins, with a droll “See Pip point.” Milgrim again succeeds in the difficult challenge of creating a real, funny story with just a few simple words. His illustrations utilize lots of motion and basic geometric shapes with heavy black outlines, all against pastel backgrounds with text set in an extra-large typeface.

Emergent readers will like the humor in little Pip’s pointed requests, and more engaging adventures for Otto and Pip will be welcome additions to the limited selection of funny stories for children just beginning to read. (Easy reader. 5-7)

Pub Date: March 1, 2003

ISBN: 0-689-85116-2

Page Count: 32

Publisher: Atheneum

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 2003

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CHIRRI & CHIRRA

From the Chirri & Chirra series

A serene, feel-good outing with a cozy, old-fashioned feel.

In this Japanese import, the first in a long-running series to appear in English, two girls ride bikes through a forest—with stops for clover-blossom tea and jam sandwiches.

It’s such a benign wood that Chirri and Chirra—depicted as a prim pair of identical twins with straight bob cuts—think nothing of sharing both a lunch spot and a nap beneath a tree with a bear and a rabbit. Moreover, at convenient spots along the way there is a forest cafe with a fox waiter plus “tables and chairs of all different size” to accommodate the diverse forest clientele, a bakery offering “bread in all different shapes and jam in all different colors,” and, just as the sun goes down, a forest hotel with similarly diverse keys and doors. That night a forest concert draws the girls and the hotel’s animal guests to their balconies to join in: “La-la-la, La-la-la. What a wonderful night in the forest!” Despite heavy doses of cute, the episode is saved from utter sappiness by the inclusive spirit of the forest stops and the delightfully unforced way that the girls offer greetings to a pair of honeybees at a tiny adjacent table in the cafe, show no anxiety at the spider dangling above their napping place, and generally accept their harmonious sylvan world as a safe and friendly place. Doi creates her illustrations with colored pencil, pastel, and crayon, crafting them to look like mid-20th-century lithographs.

A serene, feel-good outing with a cozy, old-fashioned feel. (Picture book. 5-7)

Pub Date: Sept. 7, 2016

ISBN: 978-1-59270-199-5

Page Count: 40

Publisher: Enchanted Lion Books

Review Posted Online: July 25, 2016

Kirkus Reviews Issue: Aug. 15, 2016

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