Oates did her morbid, verbose thing with The Great American Family Saga in Bellefleur (1980). Now, with somewhat more control and a slightly lighter touch, she offers her parody/version of a 19th-century Popular Romance: ornately, breathily narrated by "a maiden lady of advanced years," this is the story of five Pennsylvania sisters, 1879-1899—but, predictably, the period conventions here are laced with spiritualism, perversion, feminism, and other Oatesian preoccupations. The tale begins, then, on the 1879 afternoon when Deirdre Zinn—adopted (and youngest) daughter of the Zinns of Bloodsmoor Valley—is abducted by a black-clad figure in a black balloon. And, while repeatedly bemoaning this scandale, the narrator slowly fills in the more conventional family portrait: the devoted Zinn parents, heiress Prudence and poor teacher/inventor John Quincy; level-headed daughter Constance Philippa, engaged to a Baron; sweet, pretty Octavia (the narrator's favorite); saucy Malvinia; tomboy/intellectual Samantha, who helps her father in his laboratory; plus—Great-Aunt Edwina, famed "authoress." Yet, as the book progresses, virtually everyone will turn out to be as unconventional as Deirdre. The fabled "passionate courtship" of the Zinn parents is revealed to have been the result of a misunderstanding. Constance Philippa disappears on her wedding night. . . to reappear years later as a transsexual. Octavia's supposedly Perfect Marriage leads to child-killings, fatal sado-masochism, and such. . . before she finds happiness by remarrying beneath her station. Malvinia runs off with an actor, becomes (to the narrator's horror) a stage-star, is forever haunted by "The Beast" of sensuality. (Among her bedmates: Mark Twain.) Samantha elopes too, with Papa's assistant. ("Ungrateful children! Shameless sinners!") And Deirdre, whose balloon-abduction was just part of her deep involvement with the Spirit World, becomes Madame Blavatsky's protege—a super-medium who scorns Marriage and is nearly wiped out when an exorcism goes awry. Through it all, of course, right up to an 1899 reunion (when the ho-hum secret of Deirdre's birth is revealed), the narrator upholds the Traditional Feminine Virtues while the characters usually find happiness by abandoning them: the anti-Victorian ironies are deafeningly unsubtle. And—at 640 pp.—the joke goes on far, far too long. But the mock-longwinded prose here is, as it happens, a good deal more readable than the earnest, pretentiously longwinded prose of recent Oates fiction; and readers with a taste for whimsical historical-novel sendups will find this mildly, thickly entertaining—certainly less lumbering than Erica Jong's Fanny, if far less pointed or vivid than Ray Russell's Pamela novels.
Pub Date: Sept. 22, 1982
ISBN: 0446308250
Page Count: 32
Publisher: Dutton
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Sept. 1, 1982
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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