Great actress, mediocre memoir.
Dench recalls her illustrious career in this rather flavorless memoir, tracking her storied performances in a staggering number of classical and contemporary stage works, TV series and films.
The author writes with a restraint that borders on the perverse, eschewing backstage gossip or personal introspection—or really much sentiment at all. She recounts a few mild pranks and standard actors’ complaints about less-than-ideal performance conditions, but most of the narrative just tallies up professional accomplishments, charting Dench’s relatively smooth ascension from respected repertory actress to Academy Award winner. With a few blandly complimentary phrases, she sums up co-stars such as Pierce Brosnan and Daniel Craig, declining to discuss the differing processes of mounting films, TV series and stage shows, or her impressions of the differing performance cultures of Hollywood, Broadway and the English theater. Her English TV series As Time Goes By enjoys a devoted cult in the United States, but she has almost nothing to say about it beyond registering bemusement at the Internet-driven mania of its fan base. Dench was married to actor Michael Williams for nearly three decades and had a daughter with him, but he’s a vague, reassuring presence in the narrative whose death from cancer receives a rather cursory treatment here. The author’s English reserve is admirable, but the brisk manner in which she recounts the presumably central tragedy of her life points up the book’s ultimately off-putting coolness and perfunctory approach to autobiography. It’s more of a list than a story, and indeed the book’s most impressive section is a simple listing of Dench’s acting credits, limning a truly awesome body of work. Bits of her personality do peek through, chiefly a surprising tetchiness (she is not a great fan of journalists) that might have made the book more enjoyable if given free rein.
Great actress, mediocre memoir.Pub Date: Feb. 15, 2011
ISBN: 978-0-312-65906-6
Page Count: 304
Publisher: St. Martin's
Review Posted Online: Dec. 22, 2010
Kirkus Reviews Issue: Dec. 15, 2010
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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