by Judy Allen & illustrated by Tudor Humphries ‧ RELEASE DATE: Oct. 1, 1992
A tiger is rumored to be in a South Chinese village, and the people hope to kill it (illegally): the skin is enormously valuable, and they believe the tiger meat will make them brave. Only little Lee hopes it will get away—as he tells the hunter who comes to shoot it. As the hunter stalks the tiger—observing it competing with a vulture for its kill, sharpening its claws high on a tree, stalking its own prey, or plunging into a river- -the reader is kept in suspense: always, the hunter has trouble finding the right angle or keeping the tiger in his sight for a good shot. Alert readers will be aware that the language is ambivalent: this hunter packs a camera, and Lee gets his wish while the villagers conclude that the tiger was ``only a rumor.'' The story is artfully told, but pride of place here goes to the splendid illustrations; in eloquently lovely watercolors, Humphries captures the misty rice paddies and dramatic mountains, the expressive, well-individualized faces, and—best of all—the magnificent tiger, pose after pose, in all his glory. A concluding note details the tiger's endangered status. Fine storytelling; effective plea. (Picture book. 4+)
Pub Date: Oct. 1, 1992
ISBN: 1-56402-083-5
Page Count: 32
Publisher: Candlewick
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Oct. 15, 1992
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by Pete Seeger & Paul Dubois Jacobs & illustrated by Michael Hays ‧ RELEASE DATE: Oct. 1, 2001
The seemingly ageless Seeger brings back his renowned giant for another go in a tuneful tale that, like the art, is a bit sketchy, but chockful of worthy messages. Faced with yearly floods and droughts since they’ve cut down all their trees, the townsfolk decide to build a dam—but the project is stymied by a boulder that is too huge to move. Call on Abiyoyo, suggests the granddaughter of the man with the magic wand, then just “Zoop Zoop” him away again. But the rock that Abiyoyo obligingly flings aside smashes the wand. How to avoid Abiyoyo’s destruction now? Sing the monster to sleep, then make it a peaceful, tree-planting member of the community, of course. Seeger sums it up in a postscript: “every community must learn to manage its giants.” Hays, who illustrated the original (1986), creates colorful, if unfinished-looking, scenes featuring a notably multicultural human cast and a towering Cubist fantasy of a giant. The song, based on a Xhosa lullaby, still has that hard-to-resist sing-along potential, and the themes of waging peace, collective action, and the benefits of sound ecological practices are presented in ways that children will both appreciate and enjoy. (Picture book. 5-9)
Pub Date: Oct. 1, 2001
ISBN: 0-689-83271-0
Page Count: 40
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2001
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by Neil Gaiman ‧ RELEASE DATE: July 1, 2002
Not for the faint-hearted—who are mostly adults anyway—but for stouthearted kids who love a brush with the sinister:...
A magnificently creepy fantasy pits a bright, bored little girl against a soul-eating horror that inhabits the reality right next door.
Coraline’s parents are loving, but really too busy to play with her, so she amuses herself by exploring her family’s new flat. A drawing-room door that opens onto a brick wall becomes a natural magnet for the curious little girl, and she is only half-surprised when, one day, the door opens onto a hallway and Coraline finds herself in a skewed mirror of her own flat, complete with skewed, button-eyed versions of her own parents. This is Gaiman’s (American Gods, 2001, etc.) first novel for children, and the author of the Sandman graphic novels here shows a sure sense of a child’s fears—and the child’s ability to overcome those fears. “I will be brave,” thinks Coraline. “No, I am brave.” When Coraline realizes that her other mother has not only stolen her real parents but has also stolen the souls of other children before her, she resolves to free her parents and to find the lost souls by matching her wits against the not-mother. The narrative hews closely to a child’s-eye perspective: Coraline never really tries to understand what has happened or to fathom the nature of the other mother; she simply focuses on getting her parents back and thwarting the other mother for good. Her ability to accept and cope with the surreality of the other flat springs from the child’s ability to accept, without question, the eccentricity and arbitrariness of her own—and every child’s own—reality. As Coraline’s quest picks up its pace, the parallel world she finds herself trapped in grows ever more monstrous, generating some deliciously eerie descriptive writing.
Not for the faint-hearted—who are mostly adults anyway—but for stouthearted kids who love a brush with the sinister: Coraline is spot on. (Fiction. 9-12)Pub Date: July 1, 2002
ISBN: 0-380-97778-8
Page Count: 176
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2002
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