by Judy Sierra ; illustrated by Matthew Myers ‧ RELEASE DATE: Feb. 25, 2014
Sierra’s upbeat look at small-scale local farming, fulsomely fertilized by Myers, yields a harvest of good fun.
In this rhymed caper, Old MacDonald has a house—and a high-maintenance lawn that’s ripe for change.
His new goat prefers the hedges to the lawn, so Old Mac acquires a chicken. “Not your average bird was she, / but the smartest hen in history.” Little Red directs Mac through a backyard transformation that includes sheet mulching, composting, manuring (Mac gets a horse), vermicomposting (via a worm bin) and raised-bed gardening. The farmer-in-training takes flak from suburban neighbors outraged about the mud and stink that mark the transition from lawn to full-fledged minifarm. Soon, though, they’re gladly buying veggies, goat cheese and honey from “Mac and Red’s Homemade Farm” and eggs from their “Co-op Coop.” Myers’ inventive acrylic-on–illustration board paintings add a bushel of laugh-out-loud details, from documents attesting to Red’s impressive horticultural credentials to an in-your-face depiction of horse poop. (The artist takes “square-jawed” to a new dimension to depict Old Mac.) In one scene, healthy root veggies commingle with worms in three-quarters of the picture plane, while aboveground, Mac chats up an appreciative letter carrier. Bits of Sierra’s text can be sung to the familiar tune, rendering this a good choice for spring storytimes and family read-alouds.
Sierra’s upbeat look at small-scale local farming, fulsomely fertilized by Myers, yields a harvest of good fun. (Picture book. 4-8)Pub Date: Feb. 25, 2014
ISBN: 978-0-7636-6043-7
Page Count: 32
Publisher: Candlewick
Review Posted Online: Nov. 30, 2013
Kirkus Reviews Issue: Dec. 15, 2013
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by Judy Sierra ; illustrated by Marc Brown
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by Judy Sierra ; illustrated by Eric Comstock
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by Susan Verde ; illustrated by Peter H. Reynolds ‧ RELEASE DATE: Sept. 13, 2016
Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of...
An international story tackles a serious global issue with Reynolds’ characteristic visual whimsy.
Gie Gie—aka Princess Gie Gie—lives with her parents in Burkina Faso. In her kingdom under “the African sky, so wild and so close,” she can tame wild dogs with her song and make grass sway, but despite grand attempts, she can neither bring the water closer to home nor make it clean. French words such as “maintenant!” (now!) and “maman” (mother) and local color like the karite tree and shea nuts place the story in a French-speaking African country. Every morning, Gie Gie and her mother perch rings of cloth and large clay pots on their heads and walk miles to the nearest well to fetch murky, brown water. The story is inspired by model Georgie Badiel, who founded the Georgie Badiel Foundation to make clean water accessible to West Africans. The details in Reynolds’ expressive illustrations highlight the beauty of the West African landscape and of Princess Gie Gie, with her cornrowed and beaded hair, but will also help readers understand that everyone needs clean water—from the children of Burkina Faso to the children of Flint, Michigan.
Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of potable water. (Picture book. 5-8)Pub Date: Sept. 13, 2016
ISBN: 978-0-399-17258-8
Page Count: 40
Publisher: Putnam
Review Posted Online: May 17, 2016
Kirkus Reviews Issue: June 1, 2016
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by Susan Verde ; illustrated by Juliana Perdomo
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by Susan Verde ; illustrated by Peter H. Reynolds
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by Susan Verde ; illustrated by Juliana Perdomo
by Nikki Giovanni ; illustrated by Erin K. Robinson ‧ RELEASE DATE: Sept. 27, 2022
A lushly illustrated homage to librarians who provide a welcome and a home away from home for all who enter.
A love letter to libraries.
A Black child, with hair in two puffballs tied with yellow ribbons, a blue dress with a Peter Pan collar, and black patent leather Mary Janes, helps Grandmother with the housework, then, at Grandmother’s suggestion, heads to the library. The child’s eagerness to go, with two books under an arm and one in their hand, suggests that this is a favorite destination. The books’ wordless covers emphasize their endless possibilities. The protagonist’s description of the library makes clear that they are always free to be themselves there—whether they feel happy or sad, whether they’re reading mysteries or recipes, and whether they feel “quick and smart” or “contained and cautious.” Robinson’s vibrant, carefully composed digital illustrations, with bright colors that invite readers in and textures and patterns in every image, effectively capture the protagonist’s passion for reading and appreciation for a space where they feel accepted regardless of disposition. In her author’s note, Giovanni states that she spent summers visiting her grandmother in Knoxville, Tennessee, where she went to the Carnegie Branch of the Lawson McGhee Library. She expresses gratitude for Mrs. Long, the librarian, who often traveled to the main library to get books that Giovanni could not find in their segregated branch. (This book was reviewed digitally.)
A lushly illustrated homage to librarians who provide a welcome and a home away from home for all who enter. (Picture book. 4-7)Pub Date: Sept. 27, 2022
ISBN: 978-0-358-38765-7
Page Count: 32
Publisher: Versify/HarperCollins
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
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by Nikki Giovanni ; illustrated by Ashley Bryan
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by Nikki Giovanni & illustrated by Bryan Collier
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edited by Nikki Giovanni and illustrated by Kristen Balouch
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