Yet another Jane Austen sequel from the pseudonymous Barrett (Presumption: An Entertainment, 1993), this time continuing the adventures of the Dashwood girls from Sense and Sensibility. Fortuitously timed amidst a virtual Austen revival, Barrett's continuation of the classic marriage novel leaves us with the dilemmas of the forgotten third sister Margaret, described by Austen as a ``well-disposed girl; but as she had already imbibed a good deal of Marianne's romance, without having much of her sense, she did not, at thirteen, bid fair to equal her sisters at a more advanced period of her life.'' Barrett, taking up Margaret's cause, gives her a plot of her own. Her sisters are both happily married and comfortably established: Elinor is a useful matron to her husband's Dorset parsonage, and Marianne is happy as the wife of Colonel Brandon, a wealthy landowner. Margaret, eager to leave the dull life of Barton cottage and her unofficial position as nanny to her cousins, the nearby Middletons, goes looking for a proper match. Potential husbands line up from the right and the left, with a few red herrings thrown in for good measure. The arrogant and dashing William du Plessy is the first contender but proves too bold for Margaret's liking. Then there's the humble and handsome George Osborne, a more suitable candidate, though surprisingly secretive. Meanwhile, a diverting subplot concerning sister Elinor and her husband's inheritance breaks up the predictability of Margaret's fate. Going back and forth to Brighton with her new- found friend Lady Clara, Margaret encounters some not so surprising coincidences and has some chance meetings, becoming engaged to the wrong kind of man and saved in the final hour by the right kind. An interesting and ambitious idea gone to waste. Lacking the broad panorama of Austen's social insight and her depiction of provincial life, only the details and many plotting devices remain, leaving, at best, a momentary amusement.
Pub Date: Aug. 22, 1996
ISBN: 1-55611-496-6
Page Count: 256
Publisher: Donald Fine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1996
BOOK REVIEW
BOOK REVIEW
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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