Why Daphne keeps her secret in the 21st century is hard to fathom, and it’s just one of the creaking contrivances that fans...
An unemployed former art history professor searches for his birth father’s identity in the newest from Glass (The Widower’s Tale, 2010, etc.).
In his mid-40s, Kit Noonan, father of twins, has become an ineffectual househusband with no job prospects, a shrinking bank account and a marriage in deep trouble. But for reasons that never quite become clear, the unsolved question of his paternity takes priority, and prodded by wife, Sandra, a barely sketched character who shares no apparent chemistry with him, Kit sets out on a journey of discovery. Kit’s mother, Daphne, bore him at 18 and, now in her 60s, still refuses to divulge his father’s identity (although readers know early on that adolescent Daphne’s lover was Malachy Burns, the AIDS-infected music critic from Glass’ 2002 National Book Award–winning novel, The Three Junes). Soon, Kit has gone to visit his former stepfather, Daphne’s first husband, Jasper. Jasper is a lovable creation, tough but gentle, worried that he was not much of a father to his own sons, let alone Kit. Daphne broke Jasper’s heart when she left him, but since he promised her he would keep her secrets, he is at first reluctant to share what he knows with Kit. Eventually he does share, and Kit is soon in touch with Lucinda Burns, wife of an aging New Hampshire senator and still-grieving mother of Malachy. A devout Catholic mother of two gay sons, Lucinda went against Malachy’s wishes in pushing Daphne to have Kit and then dedicated her life to encouraging single mothers to have their babies. Now she questions her rigid choices with the help of Malachy’s last friend, Three Junes character Fenno. While all of the characters Kit encounters have idiosyncratic charm, Kit himself is an overly sensitive, navel-gazing bore. Nevertheless, a new extended family develops, though not without trials and tears.
Why Daphne keeps her secret in the 21st century is hard to fathom, and it’s just one of the creaking contrivances that fans of Glass’ empowering tear-jerkers will have to overlook.Pub Date: April 1, 2014
ISBN: 978-0-307-37793-7
Page Count: 416
Publisher: Pantheon
Review Posted Online: Jan. 31, 2014
Kirkus Reviews Issue: Feb. 15, 2014
PROFILES
The emotions run high, the conversations run deep, and the relationships ebb and flow with grace.
When tragedy strikes, a mother and daughter forge a new life.
Morgan felt obligated to marry her high school sweetheart, Chris, when she got pregnant with their daughter, Clara. But she secretly got along much better with Chris’ thoughtful best friend, Jonah, who was dating her sister, Jenny. Now her life as a stay-at-home parent has left her feeling empty but not ungrateful for what she has. Jonah and Jenny eventually broke up, but years later they had a one-night stand and Jenny got pregnant with their son, Elijah. Now Jonah is back in town, engaged to Jenny, and working at the local high school as Clara’s teacher. Clara dreams of being an actress and has a crush on Miller, who plans to go to film school, but her father doesn't approve. It doesn’t help that Miller already has a jealous girlfriend who stalks him via text from college. But Clara and Morgan’s home life changes radically when Chris and Jenny are killed in an accident, revealing long-buried secrets and forcing Morgan to reevaluate the life she chose when early motherhood forced her hand. Feeling betrayed by the adults in her life, Clara marches forward, acting both responsible and rebellious as she navigates her teenage years without her father and her aunt, while Jonah and Morgan's relationship evolves in the wake of the accident. Front-loaded with drama, the story leaves plenty of room for the mother and daughter to unpack their feelings and decide what’s next.
The emotions run high, the conversations run deep, and the relationships ebb and flow with grace.Pub Date: Dec. 10, 2019
ISBN: 978-1-5420-1642-1
Page Count: 400
Publisher: Montlake Romance
Review Posted Online: Oct. 13, 2019
Kirkus Reviews Issue: Nov. 1, 2019
BOOK TO SCREEN
BOOK TO SCREEN
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
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