by Julie Fenster ‧ RELEASE DATE: Oct. 1, 2003
Suitable for filling in unavoidable gaps in a TV presentation, but fails as a stand-alone.
Companion to a History Channel miniseries, a slightly idiosyncratic collection of 20 short pieces focusing on men and women who made noteworthy contributions to medical knowledge.
Fenster (Ether Day, 2001, etc.) provides the necessary context for understanding the significance of her subjects’ accomplishments in a readable, undemanding fashion. With descriptions of their physical appearance, personality quirks, and domestic tribulations, she makes every effort to bring these people to life and to set them in their time and place. She has grouped her pieces into five categories: understanding the body, germ theory, magic bullets, the mind, and surgery. The first section opens with an informative piece on 16th-century anatomist Andreas Vesalius and includes William Roentgen, discoverer of X-rays; Werner Forssmann, developer of the cardiac catheter; and Ian Wilmer, credited with cloning Dolly. William Harvey, discoverer of the circulation of the blood, would seem to belong here, but he turns up later in the section on surgery, following a piece on early experiments in blood transfusion. The section on germ theory, which features Antony van Leeuwenhoek, Ignaz Semmelweis, and Robert Koch (but not Louis Pasteur), also and rather startlingly profiles Mary Mallon, better known as “Typhoid Mary.” Fenster doesn’t provide an introduction explaining either her choices or their arrangement, indicating perhaps that the miniseries dictated them. Possibly the producers felt more women were needed; this would account for the selection of Lady Mary Montague, who figured prominently in the promotion of smallpox inoculation, rather than Edward Jenner, the doctor who discovered the vaccine. The hyperbole of the subtitle may also be no fault of the author’s.
Suitable for filling in unavoidable gaps in a TV presentation, but fails as a stand-alone.Pub Date: Oct. 1, 2003
ISBN: 0-7867-1236-8
Page Count: 320
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2003
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by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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