Serious travel readers will appreciate Simson’s gentle, evenhanded presentation of a colorful, multifaceted culture.
Simson (The God that Says I Am, 2010) intertwines a well-documented travel memoir with geography, history and culture.
When biologist Simson was offered a contract to teach on American military bases in South Korea via the University of Maryland University College Overseas Division, she was excited to explore a culture much different than that of her hometown of Charleston, S.C. The end result is this compelling narrative in which Simson compares her modern-day experiences in South Korea to those of Victorian travel writer Isabella Lucy Bird Bishop. Both women were 63 when they began their journeys—Bishop in 1894, Simson in 1999—and though Bishop traveled with the aid of missionaries and Simson’s two-year stint involved navigating confusing streets in used cars, both women went home with a deep admiration for many of the people they met along the way. While Simson presents a condensed history of Korea’s troubled past and a vivid account of her trip to the Demilitarized Zone, she also offers many glimpses of her day-to-day life in places like Songtan and Taegu, including descriptions of Korean food such as a delicious pajeon (onion pancake). Of course, some culture shock is to be expected, and Simson describes the difficulties she encountered with the Korean language and weather-related problems, like the time her car broke down in a monsoon. The author writes that though neither she nor Bishop was fond of large Korean cities, they both reveled in the magnificent beauty of the countryside and mountains. (Generations ago, Bishop was able to explore the Diamond Mountains, now part of North Korea.) As in any culture, there are paradoxes, and Simson portrays them with a nonjudgmental but honest voice; for instance, the same people who drove recklessly and always seemed to be in a hurry were also industrious and quick to help her. Likewise, the same culture in which she saw women mistreated also held a deep reverence for its elders. Various religious influences—nature worship, shamanism, Taoism, Buddhism, Confucianism and Christianity—are also briefly discussed with notable objectivity.
Serious travel readers will appreciate Simson’s gentle, evenhanded presentation of a colorful, multifaceted culture.Pub Date: Aug. 9, 2013
ISBN: 978-1-4582-1037-1
Page Count: 198
Publisher: AbbottPress
Review Posted Online: Jan. 15, 2014
Kirkus Reviews Issue: March 1, 2014
Review Program: Kirkus Indie
BOOK REVIEW
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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