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GNOME-A-GEDDON

In the end, the lampoon falls victim to its own sense of irony, making Buck feel like a secondary character in someone...

As the title indicates, a novel that attempts to subvert and poke fun at fantasy tropes.

A superfan of the series Triumphant Gnome Syndicate, Buck Rogers knows all the trivia. Buck, a white boy, and his friend Lizzie Adams, a multiracial (black/white) girl, eagerly await the midnight release of Gnome-A-Geddon, the series’ newest. Compounding the excitement, author Harold Macinaw makes a surprise appearance but then suddenly disappears. The next morning, Buck and Lizzie find replicas of themselves, and none of the adults can be woken. Possibly even more alarmingly, rows of children, including Buck’s little sister, Willy, march trancelike into a dumpster behind the bookstore. It turns out Flipside, the world of the books, is real. Using his comprehensive knowledge of the Triumphant Gnome Syndicate, Buck must find Macinaw and rescue Willy, but Flipside is more terrifying than he could have imagined. Like so many other fantasy protagonists, Buck is liberal with the snark, but some of the humor falls flat, as when he postulates that Lizzie might be part Troll because she’s multiracial. Lizzie never rises above the role of Buck’s sidekick, even though she reprimands Buck for not allowing her to fully participate in the adventure, and other characters do not rise above Buck’s preconceived notions of them.

In the end, the lampoon falls victim to its own sense of irony, making Buck feel like a secondary character in someone else’s story and not quite a protagonist in his own . (Fantasy. 8-12)

Pub Date: May 2, 2017

ISBN: 978-1-4814-7845-8

Page Count: 304

Publisher: McElderry

Review Posted Online: March 5, 2017

Kirkus Reviews Issue: March 15, 2017

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TUCK EVERLASTING

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...

At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever. 

Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it. 

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the first week in August when this takes place to "the highest seat of a Ferris wheel when it pauses in its turning") help to justify the extravagant early assertion that had the secret about to be revealed been known at the time of the action, the very earth "would have trembled on its axis like a beetle on a pin." (Fantasy. 9-11)

Pub Date: Nov. 1, 1975

ISBN: 0312369816

Page Count: 164

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 13, 2012

Kirkus Reviews Issue: Nov. 1, 1975

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WILLODEEN

The young folk and (of course) the animals are engagingly wrought in this tale with a strong ecological message.

An orphan loner’s small town faces a hard future after it unwittingly disrupts a natural cycle.

Willodeen is lucky that elderly retired thespians Mae and Birdie took her in after the wildfire that killed her parents and brother, not only because they’re a loving couple, but because they let her roam the woods in search of increasingly rare screechers—creatures so vile-tempered and stinky that the village elders of Perchance have put a bounty on them. The elders have other worries, though: The migratory hummingbears that have long nested in the area, drawing tourists to the lucrative annual Autumn Faire, have likewise nearly vanished. Could there be a connection? If there is, Willodeen is just the person to find it—but who would believe her? Applegate’s characters speak in pronouncements about life and nature that sometimes seem to address readers more than other characters, but the winsome illustrations lighten the thematic load. Screechers appear much like comically fierce warthogs and hummingbears, as small teddies with wings. Applegate traces a burgeoning friendship between her traumatized protagonist and Connor, a young artist who turns found materials into small animals so realistic that one actually comes to life. In the end, the townsfolk do listen and pitch in to make amends. Red-haired, gray-eyed Willodeen is cued as White; Connor has brown skin, and other human characters read as White by default.

The young folk and (of course) the animals are engagingly wrought in this tale with a strong ecological message. (Eco-fantasy. 8-12)

Pub Date: Sept. 7, 2021

ISBN: 978-1-250-14740-0

Page Count: 272

Publisher: Feiwel & Friends

Review Posted Online: July 12, 2021

Kirkus Reviews Issue: Aug. 15, 2021

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